Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Loeillet (de Gant) Jean-Baptiste
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Recorder Sonata in F minor, Op. 4, No. 11
Recorder Sonata in A minor, Op. 1, No. 1
Recorder Sonata in G Major, Op. 1, No. 3
Recorder Sonata in C Major, Op. 1, No. 6
Recorder Sonata in D minor, Op. 2, No. 3
Recorder Sonata in C minor, Op. 2, No. 5
Recorder Sonata in C Major, Op. 3, No. 1
Recorder Sonata in C minor, Op. 3, No. 5
Recorder Sonata in E-flat Major, Op. 3, No. 7
Recorder Sonata in E minor, Op. 3, No. 12
Jean-Baptiste (da Gant) Loeillet: Recorder Sonatas Op. 4 was written around 1716 and published the same year by Estienne Roger in Amsterdam. This set represents the final volume of his 48 solo recorder sonatas (Opp. 1–4).
The Op. 4 sonatas continue to blend Corelli’s Italian structures with French ornamentation and dance movements. By Op. 4, Loeillet's writing for the recorder is considered highly idiomatic, making these pieces staples of the intermediate-to-advanced recorder repertoire.
In 1716, Loeillet was still living in Lyon, France, serving as a musician for the Archbishop Paul-François de Neufville de Villeroy. This period was his most productive for solo woodwind music before his death around 1720.
He adopted the suffix "de Gant" (of Ghent) specifically to distinguish himself from his famous cousin, Jean-Baptiste Loeillet "of London," who was active in England during the same period.
Daniel Rothert (recorder), Ketil Haugsand (harpsichord), Vanessa Young (cello), 2010, Naxos
1. Largo
Daniel Rothert (recorder), Ketil Haugsand (harpsichord), Vanessa Young (cello), 2010, Naxos
2. Allegro
Daniel Rothert (recorder), Ketil Haugsand (harpsichord), Vanessa Young (cello), 2010, Naxos
3. Sarabanda: Adagio
Jean-Baptiste Loeillet (1688-1720), known as Loeillet de Gant (of Ghent), was a Flemish Baroque composer and wind player primarily recognized for his extensive contributions to the recorder repertoire.
Born in Ghent, he belonged to a prominent musical dynasty. His father, Pieter Loeillet, was a professional musician who raised not only Jean-Baptiste, but also his brother's son Jean-Baptiste, who later became known as the John Loeillet of London, and his brother Jacques, who made a career as a notable oboist and composer who served in the courts of Munich and Versailles.
Jean-Baptiste moved to Paris to study for a while before settling in Lyon, France. There, he served as a musician for Archbishop Paul-François de Neufville de Villeroy, performing for the Lyonnaise nobility and local religious elite, contributing to the city's vibrant cultural life during the early 18th century.
His legacy consists primarily of 48 solo sonatas for recorder and basso continuo. His style is characterized by a synthesis of Italianate Corellian structures and refined French ornamentation, displaying a sophisticated mastery of counterpoint.