21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Magalif Eugene
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
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Costa Roldán, Eduardo
Cueto, Daniel
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Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
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Ghidoni, Armando
Gibb, Charles
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Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
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Panufnik, Roxanna
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Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Romance for flute and piano
Eugene Magalif: Romance for flute and piano was written in 2001. Originally, as a vocal work titled "Bouquet" (or Bukyet in Russian), featuring lyrics by Irina Balatskaya. The original song describes an autumn scene, with lyrics like "Bouquet of yellow leaves on my piano / I’ll play for you the melody of rain". This melancholic and lyrical theme was the direct inspiration for the flute adaptation, which was created in 2017 for the flutist Rita D’Arcangelo. The same year, her teacher Sir James Galway selected Magalif’s Romance to be part of his exclusive "James Galway Presents" collection, published by Southern Music.
Magalif often refers to it as the first in his series of "Romances Without Words".
Although Magalif was born and raised in Belarus, he emigrated to the United States in the early 1990s. By 2001, Magalif was living in New Jersey. This was a pivotal year where he began synthesizing his Belarusian roots with his new American environment. The original Romance was part of a larger push to create accessible, melodic music that stood in contrast to the more dissonant trends of late 20th-century academia.
Eugene Magalif (1957) is a Belarusian-American composer, conductor, and educator whose works are recognized for their melodic accessibility.
Born in Vitebsk, Belarus, he received his formal musical education at the Belarusian State Academy of Music in Minsk. Before he emigrated to the US in the early 1990s, he was a well-known figure in the Soviet musical scene, working as a teacher at the Vitebsk Music College and composing for Belarusian radio, television, and various professional theaters.
Settled in New Jersey, he became deeply involved in music education and choral direction, serving as a church organist and choir director while continuing to compose. His pedagogical works for children and youth choirs are widely used in American and European curricula.
Magalif’s style is characterized by a "rejection of the avant-garde" in favor of Neo-Romanticism. His music often utilizes traditional A-B-A forms, clear tonal centers, and "vocal" melodic lines.