20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Martinů Bohuslav
Aitken, Robert
Arnold, Malcolm
Barber, Samuel
Bartók, Béla Viktor János
Beaser, Robert
Bennet, Richard Rodney
Berio, Luciano
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Boulanger, Marie-Juliette
Bozza, Eugène Joseph
Brown, Elizabeth
Brun, Georges
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carter, Elliott
Casella, Alfredo
Clarke, Ian
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
Debussy, Claude
Del Tredici, David
Denisov, Edison
Dick, Robert
Dohnányi, Ernő
Dutilleux, Henri
Enescu, George
Feld, Jindřich
Ferroud, Pierre-Octave
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gaubert, Philippe
Gieseking, Walter
Gordeli, Otar
Griffes, Charles Tomlinson
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Hanson, Howard Harold
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Higdon, Jennifer
Hindemith, Paul
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Jacob, Gordon
Jemnitz, Sándor
Jirák, Karel Boleslav
Jolivet, André
Karg-Elert, Sigfrid
Kennan, Kent Wheeler
Kornauth, Egon
La Montaine, John
Liebermann, Lowell
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Offermans, Wil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Rachmaninoff, Sergei
Ran, Shulamit
Ravel, Maurice
Reynolds, Verne
Rivier, Jean
Rota, Nino
Roussel, Albert
Rutter, John
Sancan, Pierre
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Williams, Ralph Vaughan
Yun, Isang
Scherzo for flute and piano (H. 174a)
Scherzo for flute and piano (H. 174a)
Bohuslav Martinu: Scherzo for flute and piano (H. 174a) was written in 1929 as a part of his Sextet for Wind and Piano (H. 174). The Scherzo is its third, short movement that has been published separately since 1960s.
In 1923 Martinu went to Paris where he experimented with modern French neo-classical developments. During that period Martinu adopted jazz idioms which were applied in his Sextet for Wind and Piano.
The Scherzo is a brilliant divertimento, spiced with lively rhythm and the homage to a well-known passage from the finale of Ravel’s Daphnis et Chloé.
Martinů Bohuslav
Bohuslav Martinů (1890-1959) was a Czech composer and violinist who started his musical career as a violinist in the Czech Philharmonic Orchestra. At the age of 33 he moved to Paris where he gradually developed his compositional style which can be described as neoclassicism. The most prolific period of composing was during his stay in the United States.
One of his characteristic features in his symphonies is a prominent part for piano. Martinů was very introvert person and there have been assumptions that he had some sort of autistic disorder, most likely Asperger syndrome.