Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Martini Giovanni Battista
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Concerto for flute, strings and basso continuo in G Major
Giovanni Battista Martini: Concerto for flute, strings and basso continuo in G Major was written around 1752.
A transcription of the manuscript was made by Gabriele Di Toma in 1984, who noted the original work was from 1752. The Schott Music edition, edited by István Homolya, is a modern publication of this work.
Around 1750s Giovanni Battista Martini (known as Padre Martini) was the chapel-master at the Basilica of San Francesco in Bologna, a post he had held since 1725. He was highly regarded as a learned scholar and teacher, later counting among his students figures like Johann Christian Bach and the young Wolfgang Amadeus Mozart.
Giovanni Battista Martini (1706–1784), commonly known as Padre Martini, was a highly influential Italian composer, music theorist, teacher, and scholar of the Baroque and early Classical eras. He was a central figure in European musical life, revered for his immense erudition and gentle character.
Born in Bologna, Italy, in 1706, Martini received his early musical instruction from his father and local musicians. He joined the Franciscan order in 1721 and was ordained a priest in 1729, earning him the affectionate title "Padre" (Father) Martini. He continued his extensive studies in philosophy, mathematics, and music history, becoming perhaps the most learned musician of his time.
From 1725 until his death, he served as the maestro di cappella (chapel-master) at the Basilica of San Francesco in Bologna.
He was an incredibly respected and sought-after teacher whose pupils included some of the most prominent musicians of the day, most notably Johann Christian Bach and a young Wolfgang Amadeus Mozart, who visited him to study counterpoint in 1770. He maintained correspondence with leading musical figures across the continent.
Martini amassed one of the most comprehensive music libraries of the 18th century, a collection that now forms the core of the Bologna Civic Museum and Music Library. He was also a respected author of important treatises on music history and theory, including Storia della musica (History of Music) and Esemplare, o sia Saggio fondamentale pratico di contrappunto (The practical fundamental example of counterpoint).
While much of his life was dedicated to scholarship, Martini composed a substantial body of music, including oratorios, masses, chamber music, and concertos. His music is elegant and meticulously crafted, blending the strict counterpoint of the Baroque tradition with the emerging lyrical and formal clarity of the Preclassical and early Classical styles.