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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Martini Giovanni Battista

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Concerto for flute, strings and basso continuo in G Major

Concerto for flute, strings and basso continuo in G Major

By Martini Giovanni Battista

Giovanni Battista Martini: Concerto for flute, strings and basso continuo in G Major was written around 1752.
A transcription of the manuscript was made by Gabriele Di Toma in 1984, who noted the original work was from 1752. The Schott Music edition, edited by István Homolya, is a modern publication of this work.
Around 1750s Giovanni Battista Martini (known as Padre Martini) was the chapel-master at the Basilica of San Francesco in Bologna, a post he had held since 1725. He was highly regarded as a learned scholar and teacher, later counting among his students figures like Johann Christian Bach and the young Wolfgang Amadeus Mozart.

Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

1. Vivace

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Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

2. Andante vivace

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Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

3. Allegro

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Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

4. Minuetto

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Martini Giovanni Battista

Giovanni Battista Martini (1706–1784), commonly known as Padre Martini, was a highly influential Italian composer, music theorist, teacher, and scholar of the Baroque and early Classical eras. He was a central figure in European musical life, revered for his immense erudition and gentle character.
Born in Bologna, Italy, in 1706, Martini received his early musical instruction from his father and local musicians. He joined the Franciscan order in 1721 and was ordained a priest in 1729, earning him the affectionate title "Padre" (Father) Martini. He continued his extensive studies in philosophy, mathematics, and music history, becoming perhaps the most learned musician of his time.
From 1725 until his death, he served as the maestro di cappella (chapel-master) at the Basilica of San Francesco in Bologna.
He was an incredibly respected and sought-after teacher whose pupils included some of the most prominent musicians of the day, most notably Johann Christian Bach and a young Wolfgang Amadeus Mozart, who visited him to study counterpoint in 1770. He maintained correspondence with leading musical figures across the continent.
Martini amassed one of the most comprehensive music libraries of the 18th century, a collection that now forms the core of the Bologna Civic Museum and Music Library. He was also a respected author of important treatises on music history and theory, including Storia della musica (History of Music) and Esemplare, o sia Saggio fondamentale pratico di contrappunto (The practical fundamental example of counterpoint).
While much of his life was dedicated to scholarship, Martini composed a substantial body of music, including oratorios, masses, chamber music, and concertos. His music is elegant and meticulously crafted, blending the strict counterpoint of the Baroque tradition with the emerging lyrical and formal clarity of the Preclassical and early Classical styles.