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Romantic

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Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

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Mendelssohn Felix

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Scherzo from "A Midsummer Night's Dream", Op. 61/1

By Mendelssohn Felix

Felix Mendelssohn: Scherzo from "A Midsummer Night's Dream", Op. 61/1 for flute and piano was written in 1843, originally as an orchestral interlude. The Op. 61 incidental music was dedicated to King Frederick William IV of Prussia, who had commissioned the work as part of his effort to revive classical Greek and Shakespearean drama in Berlin.
The incidental music, including the Scherzo, premiered on October 14, 1843, at the New Palace in Potsdam, Germany. It was performed for the court of King Frederick William IV of Prussia.
The Scherzo movement is a masterpiece of "staccato" writing. The famous flute solo occurs at the very end of the movement, consisting of nearly a minute of continuous, rapid-fire sixteenth notes that require exceptional double-tonguing and breath control.
1843 was marked by Mendelssohn’s personal struggle with his appointment as "Royal Director of Music" in Berlin. He disliked the bureaucracy of the Prussian court but felt obligated to the King. The commission for A Midsummer Night's Dream was his successful attempt to bridge his artistic standards with his royal duties. This year solidified Mendelssohn’s reputation for the elfen-style (fairy-like) music, characterized by light textures, rapid minor-key scurrying, and transparent orchestration—of which the Scherzo is the ultimate example.
In April 1843, Mendelssohn officially opened the Leipzig Conservatory, the first of its kind in Germany. He was simultaneously serving as its director, a professor, and the conductor of the Gewandhaus Orchestra.

James Galway

Charles Gerhardt (conductor), National Philharmonic Orchestra, 1978, Sony / RCA Red Seal

A Midsummer Night's Dream: Scherzo

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Mendelssohn Felix

Felix Mendelssohn (1809-1847) was a German pianist, composer, conductor, and teacher, one of the most prominent composers of the early Romantic period.
Born in a Jewish family, Felix, together with his brother and two sisters, was baptized in 1816 as a Lutheran, and in 1822 when the whole family was baptized, the family adopted the surname Bartholdy, following the example of Felix’s maternal uncle, who had chosen to adopt the name of a family farm.
Initially, he studied piano with his parents, then with Ludwig Berger in Berlin where he additionally studied composition with Carl Friedrich Zelter who had enormous influence on his development. Thus Felix exhibited mature qualities as a composer at an unusually early age. During his boyhood years, he composed 5 operas and 11 symphonies, most of which were kept in the Prussian State Library in Berlin and lost during World War II.
At an early age, he became well-received in his travels throughout Europe as a composer, conductor, and soloist throughout Europe.
In 1833 he was appointed musical director in Düsseldorf, which was his first paid post as a musician. However, frustration at his everyday duties in Düsseldorf, and the city's provincialism, led him to resign his position at the end of 1834. In 1835 he accepted the post of musical director of the Leipzig Gewandhaus Orchestra which helped to revive interest in the music of Schubert and Schumann.
In 1843 Mendelssohn founded a major music school – the Leipzig Conservatory (now Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy") where many prominent musicians were members of the faculty, including R.Schumann, I.Moscheles, J. Joachim to name a few.

Among his most famous works is Overture to A Midsummer Night’s Dream, including the famous "Wedding March" (1826), the Italian Symphony (1833), a violin concerto (1844), two piano concerti (1831, 1837), the oratorio Elijah (1846), and Songs Without Words for piano solo.