Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Mendelssohn Felix
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Felix Mendelssohn: Sonata in F Major, MWV Q26 for flute and piano was written in 1838. The work was originally a violin sonata, intended for the concertmaster of the Leipzig Gewandhaus, Ferdinand David. Mendelssohn began the composition in 1838 but was dissatisfied with it, calling it a "wretched sonata". He began revising the first movement the following year but never completed the work.
The sonata remained unpublished during Mendelssohn's lifetime and for over a century after his death. It was eventually revived and published in 1953 by violinist Yehudi Menuhin, who revised the first movement for publication.
Eric Le Sage (piano), 2023, Parlophone Records / Warner Classics
1. Allegro vivace
Eric Le Sage (piano), 2023, Parlophone Records / Warner Classics
3. Assai vivace
Felix Mendelssohn (1809-1847) was a German pianist, composer, conductor, and teacher, one of the most prominent composers of the early Romantic period.
Born in a Jewish family, Felix, together with his brother and two sisters, was baptized in 1816 as a Lutheran, and in 1822 when the whole family was baptized, the family adopted the surname Bartholdy, following the example of Felix’s maternal uncle, who had chosen to adopt the name of a family farm.
Initially, he studied piano with his parents, then with Ludwig Berger in Berlin where he additionally studied composition with Carl Friedrich Zelter who had enormous influence on his development. Thus Felix exhibited mature qualities as a composer at an unusually early age. During his boyhood years, he composed 5 operas and 11 symphonies, most of which were kept in the Prussian State Library in Berlin and lost during World War II.
At an early age, he became well-received in his travels throughout Europe as a composer, conductor, and soloist throughout Europe.
In 1833 he was appointed musical director in Düsseldorf, which was his first paid post as a musician. However, frustration at his everyday duties in Düsseldorf, and the city's provincialism, led him to resign his position at the end of 1834. In 1835 he accepted the post of musical director of the Leipzig Gewandhaus Orchestra which helped to revive interest in the music of Schubert and Schumann.
In 1843 Mendelssohn founded a major music school – the Leipzig Conservatory (now Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy") where many prominent musicians were members of the faculty, including R.Schumann, I.Moscheles, J. Joachim to name a few.
Among his most famous works is Overture to A Midsummer Night’s Dream, including the famous "Wedding March" (1826), the Italian Symphony (1833), a violin concerto (1844), two piano concerti (1831, 1837), the oratorio Elijah (1846), and Songs Without Words for piano solo.