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Romantic

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Solo repertoire

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Alto flute

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Mercadante Saverio

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Concerto for flute and string orchestra No 2 in E minor (Op 57)

By Mercadante Saverio

S. Mercadante:  flute concerto No 2 in E minor was written in 1814 during his studies at The Conservatory of Naples. Initially written for flute and string orchestra (scored as "large orchestra"), the concerto was amended several times to suite various occasions.

"Mercadante’s music is notable for its melodic inspiration and bel canto style. In the Allegro maestoso, the most demanding of the movements from a formal point of view, orchestral interludes separate three substantial passages in which the soloist is called on to play all kinds of embellishments, high-speed passages to employ the whole range of notes available to the flute. The orchestra is slimmed down while the soloist is playing, but its full forces are used in the introductory, intermediary, and concluding sections. The Rondò russo finale, still very much a favourite among flautists today, not only reveals the composer’s love of dance, but is a one-off in terms of its inspiration: Mercadante creates a Russian flavour using frequent and effective shifts between major and minor and by the thematic quality developed within its rondo-sonata structure."

Mariateresa Dellaborra

Jean-Pierre Rampal

I Solisti Veneti, Claudio Scimone (conductor), 1973, Erato

1. Allegro maestoso, Largo, Rondo

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Irena Grafenauer

Academy of St Martin in the Fields, Sir Neville Marriner (conductor), 1991, Universal

1. Allegro maestoso

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Irena Grafenauer

Academy of St Martin in the Fields, Sir Neville Marriner (conductor), 1991, Universal

2. Largo

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Irena Grafenauer

Academy of St Martin in the Fields, Sir Neville Marriner (conductor), 1991, Universal

3. Allegro vivace scherzando

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Mercadante Saverio

Saverio Mercadante (1795-1970) was a pivotal Italian composer who bridged the gap between the bel canto era of Rossini and the dramatic realism of Giuseppe Verdi. He was a dominant figure in 19th-century Italian opera and a significant contributor to instrumental music.
Born as an illegitimate child in Altamura, Italy, his early years were marked by financial instability. At age 13, he entered the Conservatorio di San Sebastiano in Naples. He initially focused on the violin and flute, eventually becoming the leader of the student orchestra. He studied composition under Nicola Zingarelli, a traditionalist who instilled in him a mastery of counterpoint and melody. During his student years, Saverio composed several flute concertos and chamber works that remain central to the flute repertoire today. 
Mercadante's career took off after Rossini praised his work while visiting the conservatory in 1817, leading to Mercadante's first opera commission. His first major operatic success came in 1821 with "Elisa e Claudio", which premiered at La Scala in Milan.
After spending time in Vienna and Madrid, Mercadante returned to Italy with a mission to "reform" Italian opera. He sought to reduce the emphasis on vocal virtuosity in favor of dramatic integrity, richer orchestration, and more complex harmonic structures.
His most acclaimed works from this period include "Il giuramento" (1837), "Elena da Feltre" (1838), and "La vestale" (1840).
In 1840, he was appointed director of the Naples Conservatory, a position he held for 30 years. He was a strict but influential teacher who shaped the next generation of Italian musicians.
Mercadante lost his sight completely in 1862. Despite this, he continued to compose by dictating his music to assistants until he died in Naples in 1870.
While he is remembered primarily as an opera composer, his six flute concertos are among the most celebrated works for the instrument from the early 19th century.