Piccolo
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Mălăncioiu Gabriel
Adler, Samuel
Andersen, Joachim
Auric, Georges
Baksa, Andreas
Beaser, Robert
Benshoof, Ken
Boisson, Felix
Bonnisseau, Frédéric
Chamberlain, Nicole
Damase, Jean-Michel
Daugherty, Michael
Dehnhard, Tilmann
Donatoni, Franco
Dorff, Daniel
Harberg, Amanda
Huylebroeck, Jan
Jacob, Gordon
Janáček, Leoš
Koechlin, Charles
Krek, Uroš
Lavista, Mario
Liebermann, Lowell
Loeb, David
Mălăncioiu, Gabriel
Martinů, Bohuslav
Meltzer, Harold
Morlacchi, Pietro
Mower, Mike
Musgrave, Thea
Papandopulo, Boris
Persichetti, Vincent
Poulenc, Francis
Reichert, Matthieu Andre
Rotaru, Doina
Schocker, Gary
Silva, Pattápio
Smith, Matt
Vivaldi, Antonio
Wilder, Alec
Yun, Isang
"AULINO" five pieces for piccolo
Gabriel Mălăncioiu: "AULINO" five pieces for piccolo was written in 2023.
The piece is part of his ongoing "Musiventurous" series, which consists of solo compositions for various orchestral instruments designed to explore specific instrumental techniques in a "musiventurous" way - a playful term combining music and adventurous.
The "Aulino" title itself likely refers to a diminutive of the Greek aulos, an ancient wind instrument, playfully referencing the piccolo as a small pipe. The entire series uses similar playful, hybrid titles.
The work was not a traditional commission but was "revised by" Haika Lübcke, the Solo Piccolo player at the Tonhalle Orchester Zurich and a lecturer at the Zurich University of the Arts. This suggests a close collaboration where she helped refine the work for performance.
The piece consists of five movements, each of which describes the technical challenges the performer will face:
1. PICO-DICO, AGOGICO: Focuses on agogics (tempo variation) and irregular accents.
2. TREMO-GOULASH: Tests fine transitions between tremolos and trills.
3. UPS & HICKUPS: Uses instrumental theatre and the frullato (flutter-tonguing) technique.
4. PASTORALIX: Employs glissando techniques and proportional notation.
5. GLANCE + DANCE = CROMANCE: Combines played and sung pitches, irregular rhythms, and an ornamented dance style.
Gabriel Mălăncioiu (1979) is a Romanian composer, music theorist, and professor. He is recognized as an active personality and an original voice in the contemporary music landscape.
Born in Brașov, Romania, he graduated from both the Faculty of Automatic Control and Computers and the Faculty of Music and Theatre in Timișoara. He studied composition with Remus Georgescu in Timișoara, completed a master's degree with academician Cornel Țăranu at the "Gheorghe Dima" Music Academy in Cluj, and earned a PhD in composition in 2011.
He currently teaches contemporary music stylistics, orchestration, and musical analysis at the Faculty of Music and Theatre within the West University of Timișoara.
His musical style is characterized by great diversity, exploring extended techniques and timbral innovations, often within thematic series of works, such as the "Musiventurous" series. His compositions combine academic rigor with a playful and adventurous approach to sound.