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Piccolo

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Mălăncioiu Gabriel

Adler, Samuel

Andersen, Joachim

Auric, Georges

Baksa, Andreas

Beaser, Robert

Benshoof, Ken

Boisson, Felix

Bonnisseau, Frédéric

Chamberlain, Nicole

Damase, Jean-Michel

Daugherty, Michael

Dehnhard, Tilmann

Donatoni, Franco

Dorff, Daniel

Harberg, Amanda

Huylebroeck, Jan

Jacob, Gordon

Janáček, Leoš

Koechlin, Charles

Krek, Uroš

Lavista, Mario

Liebermann, Lowell

Loeb, David

Mălăncioiu, Gabriel

Martinů, Bohuslav

Meltzer, Harold

Morlacchi, Pietro

Mower, Mike

Musgrave, Thea

Papandopulo, Boris

Persichetti, Vincent

Poulenc, Francis

Reichert, Matthieu Andre

Rotaru, Doina

Schocker, Gary

Silva, Pattápio

Smith, Matt

Vivaldi, Antonio

Wilder, Alec

Yun, Isang

"AULINO" five pieces for piccolo

"AULINO" five pieces for piccolo

By Mălăncioiu Gabriel

Gabriel Mălăncioiu: "AULINO" five pieces for piccolo was written in 2023.
The piece is part of his ongoing "Musiventurous" series, which consists of solo compositions for various orchestral instruments designed to explore specific instrumental techniques in a "musiventurous" way - a playful term combining music and adventurous.
The "Aulino" title itself likely refers to a diminutive of the Greek aulos, an ancient wind instrument, playfully referencing the piccolo as a small pipe. The entire series uses similar playful, hybrid titles.
The work was not a traditional commission but was "revised by" Haika Lübcke, the Solo Piccolo player at the Tonhalle Orchester Zurich and a lecturer at the Zurich University of the Arts. This suggests a close collaboration where she helped refine the work for performance.
The piece consists of five movements, each of which describes the technical challenges the performer will face:
1. PICO-DICO, AGOGICO: Focuses on agogics (tempo variation) and irregular accents.
2. TREMO-GOULASH: Tests fine transitions between tremolos and trills.
3. UPS & HICKUPS: Uses instrumental theatre and the frullato (flutter-tonguing) technique.
4. PASTORALIX: Employs glissando techniques and proportional notation.
5. GLANCE + DANCE = CROMANCE: Combines played and sung pitches, irregular rhythms, and an ornamented dance style.

Haika Lübcke (piccolo), live performance on 21september, 2024, at the Belgrade Philharmonic Hall

"AULINO" five pieces

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Mălăncioiu Gabriel

Gabriel Mălăncioiu (1979) is a Romanian composer, music theorist, and professor. He is recognized as an active personality and an original voice in the contemporary music landscape.
Born in Brașov, Romania, he graduated from both the Faculty of Automatic Control and Computers and the Faculty of Music and Theatre in Timișoara. He studied composition with Remus Georgescu in Timișoara, completed a master's degree with academician Cornel Țăranu at the "Gheorghe Dima" Music Academy in Cluj, and earned a PhD in composition in 2011.
He currently teaches contemporary music stylistics, orchestration, and musical analysis at the Faculty of Music and Theatre within the West University of Timișoara.
His musical style is characterized by great diversity, exploring extended techniques and timbral innovations, often within thematic series of works, such as the "Musiventurous" series. His compositions combine academic rigor with a playful and adventurous approach to sound.