Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Molique Wilhelm Bernhard
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Introduction, Andante and Polonaise, Op. 43
Introduction, Andante and Polonaise, Op. 43
W.B. Molique: Introduction, Andante and Polonaise, Op. 43 for flute and piano was written in 1852. This virtuoso work was published in London in that same year by Rudall nd reflects the "brillant" style of the mid-19th century.
Following the political upheavals of the 1848 revolutions in Germany, Molique left his position as Musikdirektor in Stuttgart and settled permanently in London in 1849. By 1852, he was a well-established figure in the city's musical life, active as a soloist, chamber musician, and teacher. In London, he was highly regarded as a "connoisseur's musician". He had successfully debuted at the Philharmonic Society in 1849 and was increasingly focused on composing chamber music and instructional works for the growing market of amateur and professional wind players in England.
During this period, Molique’s works remained firmly rooted in the Classical-Romantic traditions of Louis Spohr and Felix Mendelssohn. While contemporary "radical" developments by composers like Berlioz were gaining ground, Molique maintained a style characterized by refined melodic elegance and precise technical craftsmanship.
Molique Wilhelm Bernhard
Bernard Molique (1802-1869) was a German composer, violinist, and pianist, best known for his virtuosic instrumental works, which bridge the gap between the Classical and Romantic eras.
Born in Nuremberg, Germany, in 1802, Molique displayed musical talent at a young age. He received his primary musical education from his father. He later studied composition with Ferdinand Hiller and violin with Pietro Rovelli and Louis Spohr. Spohr's influence on his refined playing style and meticulous approach to composition was significant.
He secured the prestigious position of court violinist in Munich in 1820 at the age of 18 and later held a similar post in Stuttgart. He toured extensively as a virtuoso performer across Europe.
In 1849, he moved to London, where he became highly respected as a composer and a professor of composition at the Royal Academy of Music until his retirement in 1866.
Molique was a prolific composer with a varied output that includes six violin concertos, two cello concertos, symphonies, and a large body of chamber music. Although B. Molique was exposed to the trend of the New German School (Neudeutsche Schule) in music, Molique's works were never really influenced by it. His compositions were mostly influenced by his violin teacher Louis Spohr, W.A. Mozart, L.V. Beethoven, and F. Mendelssohn.