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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Müthel Johann Gottfried

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata for flute in D Major

Sonata for flute in D Major

By Müthel Johann Gottfried

J.G. Müthel: Sonata for flute and basso continuo in D major is a late-Baroque masterwork rediscovered in 1958, and is considered a foundational example of the Empfindsamer Stil (sensitive style) in flute literature. While Müthel's first works appeared in print in 1756, scholars believe this sonata was likely composed around 1753. This date marks his permanent relocation to Riga (now Latvia), where he spent the remainder of his career. The piece was largely unknown for nearly 200 years until it was brought back to light in 1958 by editor Johann Philipp Hinnenthal, who discovered an autograph manuscript.
In 1753, Müthel was the conductor of a private orchestra for the political patron Otto Hermann von Vietinghoff in Riga, and the work was likely first performed in that setting. The year 1753 was a pivotal turning point for Müthel. After several years of travel following the death of his mentor J.S. Bach in 1750, Müthel moved from Mecklenburg-Schwerin to Riga to join his brother, Anton Christian. Müthel had recently completed his studies in Leipzig as J.S. Bach's final student, having even notated works for the master on his deathbed.
In the early 1750s, Müthel established a lifelong friendship and correspondence with Carl Philipp Emanuel Bach. The influence of C.P.E. Bach’s Sturm und Drang and Empfindsamer Stil is clearly reflected in the emotional variability and rhetorical depth of the D Major Sonata.

Laurence Dean

Andrew Lawrence-King (cembalo), 1996. Christophorus / Naxos

1. Adagio

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Laurence Dean

Andrew Lawrence-King (cembalo), 1996. Christophorus / Naxos

2. Allegro ma non troppo

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Laurence Dean

Andrew Lawrence-King (cembalo), 1996. Christophorus / Naxos

3. Cantabile

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Müthel Johann Gottfried

Johann Gottfried Müthel (1728-1788) was a German composer and keyboard virtuoso. Particularly known as the last pupil of J.S.Bach, Müthel represented the "Sturm und Drang" composition style along with Carl Philipp Emanuel Bach.
Additionally, Müthel is considered as the first composer who used the term "fortepiano" in a published work as early as 1771 (Duetto für 2 Clavier, 2 Flügel, oder 2 Fortepiano).
Müthel was born in Mölln. His father was an organist and a friend of G.P.Telemann. After musical studies in Lübeck he served as court organist for Duke Christian Ludwig II in Schwerin.
In 1750 he become the student of J.S.Bach in Leipzig for three last months of Bach’s life and took over Bach’s duties for nine weeks after his death. Shortly after he mostly travelled: occasionally meeting and later maintaining lifelong friendship with C.P.E.Bach.
In 1753 Müthel moved to Riga (Latvia) where his first works were published. After working several years as a conductor of the private orchestra, he was appointed as organist to St. Peter's Church where he served from 1767 until his death in 1788.