Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Müthel Johann Gottfried
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Sonata for flute in D Major
J.G. Müthel: Sonata for flute and basso continuo in D major is a late-Baroque masterwork rediscovered in 1958, and is considered a foundational example of the Empfindsamer Stil (sensitive style) in flute literature. While Müthel's first works appeared in print in 1756, scholars believe this sonata was likely composed around 1753. This date marks his permanent relocation to Riga (now Latvia), where he spent the remainder of his career. The piece was largely unknown for nearly 200 years until it was brought back to light in 1958 by editor Johann Philipp Hinnenthal, who discovered an autograph manuscript.
In 1753, Müthel was the conductor of a private orchestra for the political patron Otto Hermann von Vietinghoff in Riga, and the work was likely first performed in that setting. The year 1753 was a pivotal turning point for Müthel. After several years of travel following the death of his mentor J.S. Bach in 1750, Müthel moved from Mecklenburg-Schwerin to Riga to join his brother, Anton Christian. Müthel had recently completed his studies in Leipzig as J.S. Bach's final student, having even notated works for the master on his deathbed.
In the early 1750s, Müthel established a lifelong friendship and correspondence with Carl Philipp Emanuel Bach. The influence of C.P.E. Bach’s Sturm und Drang and Empfindsamer Stil is clearly reflected in the emotional variability and rhetorical depth of the D Major Sonata.
Andrew Lawrence-King (cembalo), 1996. Christophorus / Naxos
2. Allegro ma non troppo
Johann Gottfried Müthel (1728-1788) was a German composer and keyboard virtuoso. Particularly known as the last pupil of J.S.Bach, Müthel represented the "Sturm und Drang" composition style along with Carl Philipp Emanuel Bach.
Additionally, Müthel is considered as the first composer who used the term "fortepiano" in a published work as early as 1771 (Duetto für 2 Clavier, 2 Flügel, oder 2 Fortepiano).
Müthel was born in Mölln. His father was an organist and a friend of G.P.Telemann. After musical studies in Lübeck he served as court organist for Duke Christian Ludwig II in Schwerin.
In 1750 he become the student of J.S.Bach in Leipzig for three last months of Bach’s life and took over Bach’s duties for nine weeks after his death. Shortly after he mostly travelled: occasionally meeting and later maintaining lifelong friendship with C.P.E.Bach.
In 1753 Müthel moved to Riga (Latvia) where his first works were published. After working several years as a conductor of the private orchestra, he was appointed as organist to St. Peter's Church where he served from 1767 until his death in 1788.