21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
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Mucha Geraldine
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
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Coleman, Valerie
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Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
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Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
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Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
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Khoury, Houstaf
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León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
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Panufnik, Roxanna
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Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Naše cesta" for flute and piano
Geraldine Mucha: "Naše cesta" for flute and piano was written in 2008, and dedicated to the Czech flutist Jan Machat.
The title "Naše cesta" (Our Journey) is descriptive of the music's structure. The composition is episodic, starting with an expansive opening that alternates with a faster (più mosso) section in 5/8 time, giving the feeling of travel. It culminates in an expressive Adagio section ("a longer pause") before the opening theme returns to bring the journey "home".
Mucha was in her nineties at the time of composition and died in 2012 at age 95. During the later decades of her life, living in Prague and Scotland, she composed smaller-scale works, often for friends and distinguished Czech soloists who asked her to write pieces for them. This piece is a late work, characterized by its "pastoral lyricism and passages of darting virtuosity" and "folk elements" in the rhythm and harmony, reflecting her dual Scottish and Czech heritage.
Geraldine Mucha (née Thomson) (1917–2012) was a British-born composer who spent the majority of her adult life as a prominent figure in Czech musical life following her marriage into the famous artistic Mucha family. Her music blends the rhythmic vitality of Czech folk traditions with the lyrical qualities of her Scottish heritage.
Born in London in 1917, Geraldine Thomson displayed early musical talent. She studied composition at the prestigious Royal Academy of Music in London under Alan Bush. It was there she met her future husband, Jiří Mucha, a Czech writer and war correspondent and the son of the celebrated Art Nouveau painter Alphonse Mucha.
After World War II, in 1945, she moved to Prague with her husband. This move profoundly influenced her musical style, and she quickly immersed herself in Czech culture and music. The political landscape of post-war Czechoslovakia, particularly the Communist takeover in 1948 and the subsequent Prague Spring events, became a challenging backdrop to her life and work.
Mucha's compositional voice is characterized by a "richly lyrical and expressive" style. She absorbed Czech folk idioms and rhythmic elements, particularly from the Moravian region, into her classical training.
Her music is noted for its expressive beauty, technical skill, and successful synthesis of British, Scottish, and Czech musical influences.
Among her most notable compositions: ballets Macbeth and The Widow of Ephesus; several symphonic poems, and chamber music works.