20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Muczynski Robert
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Cortese, Luigi
Currier, Sebastian
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
De Lorenzo, Leonardo
Debussy, Claude
Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
Denisov, Edison
Dèsbriere, Jacques
Dick, Robert
Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
Dubois, Pierre Max
Dukas, Paul
Durey, Louis
Dutilleux, Henri
Enescu, George
Farkas, Ferenc
Feld, Jindřich
Ferroud, Pierre-Octave
Flothuis, Marius
Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gade, Jacob
Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
Ghidoni, Armando
Gieseking, Walter
Glass, Philip
Glière, Reinhold
Golovin, Andrei
Gordeli, Otar
Grier, Lita
Griffes, Charles Tomlinson
Grinblat, Romuald
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
Hahn, Reynaldo
Hailstork, Adolphus
Halphen, Fernand
Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Hurel, Philippe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Ives, Charles
Jacob, Gordon
James, Bob
Jemnitz, Sándor
Jirák, Karel Boleslav
Jóhannsson, Magnús Blöndal
Jolivet, André
Jongen, Joseph
Karg-Elert, Sigfrid
Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
Liebermann, Lowell
Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Norby, Erik
Nordenstrom, Gladys
Offermans, Wil
Olsen, Carl Gustav Sparre
Paget, Daniel
Perle, George
Petrovics, Emil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Rachmaninoff, Sergei
Ran, Shulamit
Raphael, Günter
Rautavaara, Einojuhani
Ravel, Maurice
Reynolds, Verne
Riegger, Wallingford
Rivier, Jean
Rodrigo, Joaquin
Rota, Nino
Rotaru, Doina
Rouse, Christopher
Roussel, Albert
Rutter, John
Saariaho, Kaija
Sancan, Pierre
Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Moments for flute and piano, Op. 47
Moments for flute and piano, Op. 47
Robert Muczynski: Moments for flute and piano, Op. 47 was written in 1992 by commission of the National Flute Association (NFA) for its 20th Anniversary Convention. The work is dedicated to Janice Dockendorff Boland, a prominent American flutist and scholar who was deeply involved in the NFA and the promotion of American flute music.
1992 marked thirty years since the premiere of his legendary Sonata for Flute and Piano, Op. 14 (1961). The NFA commission for Moments was a formal recognition of Muczynski as one of the most influential American composers for the instrument.
By 1992, Muczynski had retired from his long-standing professorship at the University of Arizona. This allowed him to focus entirely on commissions and recordings. Moments reflects a more concise, "distilled" version of his style: moving away from the grand structures of the Sonata toward shorter, aphoristic forms.
By the time Muczynski wrote Moments in 1992, he had "distilled" the traits of the "Chicago School" of composition, established by Alexander Tcherepnin, the school’s most influential figure and the teacher of Muczynski.
The Chicago School valued a relentless, "motoric" pulse, which is very well represented in Moments with a "clockwork" precision that feels modern and urban. Instead of building chords in thirds (major/minor), the Chicago School often used fourths and fifths. This gives Moments its "open," slightly "gritty" American sound. It’s a clean, non-sentimental harmonic language that Muczynski perfected. The Chicago School looked back to the clarity of Prokofiev and Bartók. The textures are never "muddy"; the flute and piano act as equal partners in a transparent, contrapuntal dialogue.
"I am writing for the "pleasure of the ear," which is why Moments feels so rewarding to play. It’s logically structured and avoids 'noise for noise's sake."
Robert Muczynski
Alexandra Hawley (flute), Robert Muczynski (piano), 1998, Marco-Polo, Naxos
1. Allegro
Alexandra Hawley (flute), Robert Muczynski (piano), 1998, Marco-Polo, Naxos
2. Andante
Alexandra Hawley (flute), Robert Muczynski (piano), 1998, Marco-Polo, Naxos
3. Allegro con spirito
Muczynski Robert
Robert Muczynski (1929-2010) was a Polish-American pianist and composer, described as a "progressive traditionalist."
Born in Chicago, Illinois, Muczynski was raised in a culturally vibrant urban environment.
He attended DePaul University, where he earned both his Bachelor's (1950) and Master of Music (1952) degrees. His most significant influence was his teacher, Alexander Tcherepnin, who encouraged Muczynski to find a "personal tonal language" that avoided the dogmatic serialism of the mid-20th century.
Muczynski was a formidable concert pianist, often premiering his own works. This "performer-composer" duality ensured that his music remained highly idiomatic and "grateful" for the performer, a hallmark of his entire catalog.
After teaching at Roosevelt University and Lorain County Community College, he settled at the University of Arizona in 1965.
His musical style has been described as neo-classical; his music is full of thematic ideas with a "question-and-answer" shape, resembling the music of Barber and Bartok.
Among his most popular compositions: Sonata for flute and piano (1961), the Sonata for alto saxophone and piano (1970), and Time Pieces for clarinet and piano (1984).