Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Nicolai Johann Gottlieb
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Sonate G-Dur, Op. 6, No. 1 for flute and basso continuo
Johann Gottlieb Nicolai: Sonate G-Dur, Op. 6, No. 1 for flute and basso continuo was written in the late 1770s, and published in 1781.
The work from the Classical period that highlights the transition of the flute into a soloistic instrument in the late 18th century. The sonata typically follows a multi-movement structure common to the late 18th-century sonata form.
In 1775, Nicolai moved to Zwolle, Netherlands, where he served as organist and Concert Master at St. Michael's Church. Prior to that, he held prominent positions in the court chapel at Münster, including the title of "Concert Master". His work in this period often followed the model of predecessors like J.S. Bach.
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
1. Allegro
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
2. Adagio
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
3. Anglois con Variationi
Johann Gottlieb Nicolai (1744–1801) was a German composer, organist, and flutist who transitioned from the courts of Germany to the musical life of the Netherlands.
Born in Großneundorf near Gräfenthal in the region of Thuringia, Germany, a region with a deep musical tradition that had fostered masters like J.S. Bach.
By his mid-twenties, he emerged as a versatile musician capable of serving as a court concertmaster. Around 1771, Nicolai was appointed to the Court Chapel in Münster and was quickly promoted to the prestigious position of Concert Master.
In 1775, he left Münster to settle in Zwolle, Holland. He took on dual roles as Organist and Concert Master at St. Michael's Church, which housed one of the most magnificent organs of the era.
Nicolai is best known today for a monumental volume of 24 harpsichord sonatas, published after his move to Holland. Following the model of J.S. Bach's Well-Tempered Clavier, this volume included a sonata for every major and minor key.
His works represent the transition from late Baroque basso continuo styles to the clearer, more melodic structures of the Classical period.