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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Nielsen Carl

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

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Carmichael, John

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Zgraja, Krystof

Chaconne for Flute and Piano, Op. 32

By Nielsen Carl

Carl Nielsen: Chaconne for Flute and Piano, Op. 32 was written in 1917, originally for piano solo.
Nielsen began composing the work in a letter to his daughter, Irmelin, on December 19, 1916, and finished it by January 18, 1917. It was his first piano composition in 16 years, and he considered it "a really big piece, and I think effective".
Nielsen was heavily inspired by the Baroque form and specifically aimed to emulate J.S. Bach's famous Chaconne for solo violin, employing a ground bass theme and variations structure.
The original piano solo piece was premiered by pianist Alexander Stoffregen on April 13, 1917, at a concert in Copenhagen primarily focused on Nielsen's songs.
The published score was inscribed to "my dear friend" Julius Röntgen, a German-Dutch composer and pianist.
Around this period (1916-1917), Nielsen was also completing his Fourth Symphony and experiencing marital difficulties, spending Christmas alone, which possibly influenced the work's "striking emotional power and radicalism".

The version for "flute and piano" is a modern arrangement, notably transcribed by flutist András Adorján and published by Edition Svitzer.

András Adorján

Tove Lønskov (piano), 2018, Premiers Horizons

Chaconne

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Nielsen Carl

Carl Nielsen (1865–1931) was a preeminent Danish composer, conductor, and violinist, widely regarded as his country's greatest musical figure.
Born into a poor but musical family on the island of Funen, Nielsen's childhood on a rural farm was a major source of inspiration throughout his life. He learned violin and cornet at a young age, playing in his father's amateur band, and began composing simple tunes as a child. At 14, he joined a military orchestra as a bugler before gaining admission to the Royal Danish Academy of Music in Copenhagen in 1884.
After graduating, Nielsen secured a position as a second violinist in the prestigious Royal Danish Orchestra (1889-1905), later serving as a conductor. He was a self-taught composer in many respects, developing a highly personal style known for its "progressive tonality" (music often ends in a different key from where it began), complex rhythms, and vitality.
Among his most notable compositions: six symphonies, three concertos, the comic opera "Maskarade", and the Wind Quintet.
Nielsen's music gained international acclaim after his death, especially from the 1960s onward, advocated by conductors like Leonard Bernstein. In Denmark, his numerous songs and hymns are an integral part of the national cultural heritage. He also published influential books, including his charming memoir My Childhood on Funen (1927).