Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Nielsen Carl
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Carl Nielsen: Fantasy Pieces for flute and piano, Op. 2 was written in 1889, originally for oboe and piano. While originally composed for the oboe, Nielsen himself sanctioned the version for flute, and it has since become a standard "Romantic" audition and recital piece for flutists.
In 1889, Nielsen was just 24 years old and had recently won the audition to join the Royal Danish Orchestra for the second violin position. The pieces were dedicated to Olivo Krause, the principal oboist of the Royal Danish Orchestra and a close colleague of Nielsen. The public premiere took place on March 16, 1891, at the Royal Danish Conservatory of Music in Copenhagen, performed by Olivo Krause and pianist Victor Bendix.
Being surrounded by world-class wind players (like Krause) directly inspired him to write music that treated woodwinds with the same heroic and lyrical importance as the violin.
Around 1889, Danish music was dominated by the conservative Romanticism of Niels Gade. Nielsen was beginning to "find his voice," moving away from purely sentimental melodies toward a more rugged, Scandinavian clarity.
The title "Fantasy Pieces" (inspired by Schumann) allowed the young Nielsen to experiment with sudden harmonic shifts and character changes without the strict constraints of a traditional three-movement sonata.
Carl Nielsen (1865–1931) was a preeminent Danish composer, conductor, and violinist, widely regarded as his country's greatest musical figure.
Born into a poor but musical family on the island of Funen, Nielsen's childhood on a rural farm was a major source of inspiration throughout his life. He learned violin and cornet at a young age, playing in his father's amateur band, and began composing simple tunes as a child. At 14, he joined a military orchestra as a bugler before gaining admission to the Royal Danish Academy of Music in Copenhagen in 1884.
After graduating, Nielsen secured a position as a second violinist in the prestigious Royal Danish Orchestra (1889-1905), later serving as a conductor. He was a self-taught composer in many respects, developing a highly personal style known for its "progressive tonality" (music often ends in a different key from where it began), complex rhythms, and vitality.
Among his most notable compositions: six symphonies, three concertos, the comic opera "Maskarade", and the Wind Quintet.
Nielsen's music gained international acclaim after his death, especially from the 1960s onward, advocated by conductors like Leonard Bernstein. In Denmark, his numerous songs and hymns are an integral part of the national cultural heritage. He also published influential books, including his charming memoir My Childhood on Funen (1927).