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20th century

Baroque

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Solo repertoire

Piccolo

Alto flute

Bass flute

Nordenstrom Gladys

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

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Bartók, Béla Viktor János

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Bennet, Richard Rodney

Berg, Gunnar

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Bernofsky, Lauren

Bernstein, Leonard

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Bolling, Claude

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Boulanger, Marie-Juliette

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Bournonville, Armand

Bowen, Edwin York

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Brings, Allen

Brotons, Salvador

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Brun, Georges

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Carmichael, John

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Genzmer, Harald

George, Thom Ritter

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Glass, Philip

Glière, Reinhold

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Gordeli, Otar

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Heith, David

Henze, Hans-Werner

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Offermans, Wil

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Zgraja, Krystof

Rondo for flute and piano

Rondo for flute and piano

By Nordenstrom Gladys

Gladys Nordenstrom: Rondo for flute and piano was written in 1948, during her final years of study at Hamline University in Saint Paul, Minnesota. It is an expressionist, atonal piece that reflects her rigorous training in the Second Orchestral School style under her mentor and future husband, Ernst Krenek.
In 1948, Nordenstrom had recently finished her Piano Concerto (1947) as her master's project, and the Rondo represents her continued mastery of atonal and serial techniques. As the title suggests, the piece follows an A-B-A-C-A-B-A rondo structure. The "C" section is an Adagio that serves as the work's emotional and structural climax.
She was studying directly under the Austrian-American composer Ernst Krenek. Under his tutelage, she adopted a strict, expressionist style where "the 12 tones are always present, but always in different configurations". This relationship would soon become personal as well as professional, as they married two years later in 1950.

Laurel Ann Maurer

Joanne Pearce Martin (piano), 2000, 4Tay / Believe SAS

Rondo

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Nordenstrom Gladys

Gladys Nordenstrom (1924–2016) was an American composer associated with the Second Orchestral School and a central figure in the legacy of 20th-century serialism.
Born in Mora, Minnesota, she grew up in a rural Midwestern environment. She attended Hamline University in Saint Paul, Minnesota, earning both her Bachelor’s and Master’s degrees there. Her most significant influence was her teacher, the Austrian-American composer Ernst Krenek. Under his tutelage, she moved away from traditional tonality and embraced twelve-tone serialism and expressionist structures. Their professional relationship turned personal, and they married a couple of years later after her graduation.
Her compositional style has been described as rigorous serialism. She utilized the twelve-tone row with a mathematical precision that nevertheless allowed for "lyrical gestures." Her music is often described as having a "cold brilliance" that gives way to deep emotional intensity, particularly in her slow movements.
Among her most notable works: Rondo for Flute and Piano (1948), Wind Quintet (1969), and the orchestral work El Greco Fantasy (1966).
Following Krenek’s death in 1991, she dedicated much of her life to the Ernst Krenek Institute in Vienna and the Krenek archive in California, ensuring the preservation of 20th-century modernist history.