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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Ornstein Maarten

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

WOLVEN for Flute solo

By Ornstein Maarten

Maarten Ornstein: WOLVEN for Flute solo was written in 2019. The piece was commissioned by FløyteFest Skien, Norway and dedicated to British flutist Emily Beynon, the Principal Flute of the Royal Concertgebouw Orchestra.
The intended premiere was a live performance, but due to the pandemic (likely in 2020), it was moved online and premiered virtually.
The piece takes its subject matter from wolves in captivity and the "pent-up energy" that results from being in a cage.
Musically, it is based on an Arabic scale (maqam), which gives it interesting intervallic relationships. The composition is characterized by "sinuous writing that conveys darkness and pent-up energy," using the flute's expressive capabilities with low colors, fragile arpeggio figures, and contrastive dynamics.
Around 2019, Maarten Ornstein was actively composing and exploring new genres, a core part of his musical life. His work during this period, including "Wolven", reflects his desire for exploration and blending of diverse musical styles (from classical Arabic to jazz), pushing the boundaries of what is expected from traditional instruments. He is also a member of the Amsterdam-based musician collective, Splendor.

Emily Beynon

Recorded at Splendor, Amsterdam in August 2024

Wolves

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Ornstein Maarten

Maarten Ornstein (1967) is a Dutch composer and musician (saxophonist, clarinetist, and bass clarinetist) known for his innovative and versatile approach to music-making. He is a prominent figure in the contemporary European music scene, seamlessly blending elements from classical, jazz, and world music genres.
Ornstein studied at the Amsterdam University of the Arts and has established a career as both a performer and a highly sought-after composer.
His work is characterized by a curiosity for diverse musical languages. He often employs microtonality (using intervals smaller than a semitone), complex rhythms, and extended instrumental techniques, but maintains a style that remains accessible and expressive.
He writes for a wide range of performers: from solo instruments and chamber groups to large orchestras and big bands. His compositions are often commissioned by major European orchestras and festivals.
As a performer, he is known for his improvisational skills and has played with numerous leading ensembles and artists. He is a co-founder of the Amsterdam-based musician collective Splendor.
His works often feature evocative titles and specific musical ideas: "WOLVEN" and "WESPEN" are solo flute pieces that utilize Arabic scales and specific animal imagery to inform the musical texture and dynamics. "Monk's Dream": An orchestration of Thelonious Monk's works for the Concertgebouw Orchestra.