21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Ornstein Maarten
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
WOLVEN for Flute solo
Maarten Ornstein: WOLVEN for Flute solo was written in 2019. The piece was commissioned by FløyteFest Skien, Norway and dedicated to British flutist Emily Beynon, the Principal Flute of the Royal Concertgebouw Orchestra.
The intended premiere was a live performance, but due to the pandemic (likely in 2020), it was moved online and premiered virtually.
The piece takes its subject matter from wolves in captivity and the "pent-up energy" that results from being in a cage.
Musically, it is based on an Arabic scale (maqam), which gives it interesting intervallic relationships. The composition is characterized by "sinuous writing that conveys darkness and pent-up energy," using the flute's expressive capabilities with low colors, fragile arpeggio figures, and contrastive dynamics.
Around 2019, Maarten Ornstein was actively composing and exploring new genres, a core part of his musical life. His work during this period, including "Wolven", reflects his desire for exploration and blending of diverse musical styles (from classical Arabic to jazz), pushing the boundaries of what is expected from traditional instruments. He is also a member of the Amsterdam-based musician collective, Splendor.
Maarten Ornstein (1967) is a Dutch composer and musician (saxophonist, clarinetist, and bass clarinetist) known for his innovative and versatile approach to music-making. He is a prominent figure in the contemporary European music scene, seamlessly blending elements from classical, jazz, and world music genres.
Ornstein studied at the Amsterdam University of the Arts and has established a career as both a performer and a highly sought-after composer.
His work is characterized by a curiosity for diverse musical languages. He often employs microtonality (using intervals smaller than a semitone), complex rhythms, and extended instrumental techniques, but maintains a style that remains accessible and expressive.
He writes for a wide range of performers: from solo instruments and chamber groups to large orchestras and big bands. His compositions are often commissioned by major European orchestras and festivals.
As a performer, he is known for his improvisational skills and has played with numerous leading ensembles and artists. He is a co-founder of the Amsterdam-based musician collective Splendor.
His works often feature evocative titles and specific musical ideas: "WOLVEN" and "WESPEN" are solo flute pieces that utilize Arabic scales and specific animal imagery to inform the musical texture and dynamics. "Monk's Dream": An orchestration of Thelonious Monk's works for the Concertgebouw Orchestra.