21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Pann Carter
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Double Espresso! An Encore for flute and piano
Double Espresso! An Encore for flute and piano
Carter Pann: Double Espresso! An Encore for flute and piano was written in 2017. The piece is an adaptation of the third movement, titled "Cuppa Joe," from Pann’s own Sonata for Alto Saxophone and Piano (2016). It was written as a gift for flutist Christina Jennings, a professor at the University of Colorado Boulder and a frequent collaborator of the composer.
True to its title, the piece is described as "electric and caffeinated," lasting approximately two minutes at a "break-neck speed". It is intended as a showcase of the flute's agility and range, opening with a short cadenza before launching into a blistering tempo (quarter note = 188).
In 2016, Pann was a finalist for the Pulitzer Prize in Music for his saxophone quartet, The Mechanics. During this time, he was teaching at the University of Colorado Boulder, where he also conducted the Boulder Altitude Directive contemporary music ensemble.
Carter Pann (Piano), 2019, recording for the album Giantess, Innova Recordings
Double Espresso!
Pann Carter
Carter Pann (1972) is an American composer and pianist. Born in La Grange, Illinois, and raised in the Chicago suburb of Western Springs, he began gravitating toward the piano at age three and received his earliest musical training from his grandmother, a cocktail pianist who taught him the rudiments of the instrument.
He studied piano with Emilio del Rosario at the Music Center of the North Shore before moving to Eastman School of Music, where he studied with Samuel Adler, Warren Benson, and Joseph Schwantner.
He has earned a Master of Music and Doctor of Musical Arts from the University of Michigan, studying under William Bolcom and William Albright. He is currently a Professor of Music and Chair of the Composition Department at the University of Colorado Boulder.
Pann identifies his music as being "driven by harmony," utilizing standard keys and signatures rather than atonal "tri-chordal" systems. This makes his work highly accessible to the "common man" while maintaining technical sophistication. His idiom is marked by a "propensity towards quotation," drawing from sources as diverse as Renaissance French dance, Russian Romantics (Tchaikovsky), and 1970s pop music.