21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Panufnik Roxanna
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
The Conversation of Prayer for solo flute
Roxanna Panufnik: The Conversation of Prayer for solo flute was written in 2005. The work was commissioned by The Presteigne Festival and dedicated to the flutist Katherine Baker (Principal Flute of the Royal Opera House and later the Hallé Orchestra).
The piece is inspired by the poem of the same name by Dylan Thomas, exploring the contrasting emotions of hope and grief within the act of prayer. Panufnik was deeply moved by the dualistic nature of Thomas’s 1945 poem, which describes two prayers: one of a child for a "quick return" and one of a man for a "quick death", that cross in the air.
In 2005, Panufnik was heavily involved in her "Abrahamic Project," which sought to find common musical ground between Christianity, Islam, and Judaism. While The Conversation of Prayer is a secular poem, her 2005 mindset was focused on sacred and contemplative textures, which translated into the flute's breathy, chant-like lines.
The music mimics the "rising and falling" of breath and whispered words. It utilizes microtones and "shimmering" trills to represent the crossing of the two prayers mentioned in the poem.
Roxanna Panufnik (1968) is a British composer. Her music is characterized by a "world-music" sensibility, often bridging the gap between diverse religious traditions and Western classical forms.
Born in London, UK, in a family of the legendary Polish composer and conductor Sir Andrzej Panufnik. She grew up in Twickenham, in a house that served as a hub for the mid-century British musical elite. This provided her with an instinctive understanding of orchestral and choral textures from childhood.
After studies at the Royal Academy of Music in London, where she felt discouraged by her professors, who labeled her melodic style as "naïve" and not experimental enough, she spent three years as a researcher for BBC Music and Arts. She worked on high-profile television programs like Young Musician of the Year and the Proms, gaining an immense understanding of the professional music world. Starting from the 1990s, she found herself naturally drawn back to concert commissions.
Her international reputation was solidified with the Westminster Mass, commissioned for Westminster Cathedral to mark the 75th birthday of Cardinal Basil Hume in 1998. A major pillar of her career is the "Abrahamic Project," a decade-long endeavor to find common musical threads between Christianity, Islam, and Judaism. This resulted in major works like Love Abide and Abraham, which utilize scales and rhythms from Middle Eastern traditions.
She often uses shimmering, bell-like chords that create a sense of spiritual space.