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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Penman Katrina

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Light Among Flowers for flute solo

By Penman Katrina

Katrina Penman: Light Among Flowers (Luz entre flores) for flute and piano was written in 2022. This programmatic suite is a direct musical translation of visual art and the natural environment around Valladolid, Spain. The pieces were inspired by the paintings of Pablo Giménez. Penman accompanied the painter into the fields around Valladolid, composing the music outdoors while he worked. To reflect the "mobility of plants and their ephemeral nature," the first two pieces include sections intended to sound improvisatory. The score contains specific instructions for the performer to freely repeat certain notes or sections, varying speed and intensity.
1. Poppies – ephemeral creatures (Amapolas – seres efímeros). Focuses on the "ephemeral" quality through light, fleeting articulation, and the use of the repeating cells to simulate natural movement.
2. White poppies beneath a summer storm (Adormideras bajo una tormenta de verano). Uses the flexible repetition to create a sense of mounting intensity, mimicking the onset of a storm over the poppy fields.
3. Springtime (Primavera). Typically more structured than the first two, representing the blossoming of the landscape with a more lyrical and defined melodic line.

Katrina Penman (flute), 2024, Solfa Recordings / Orchard

1. Poppies - ephemeral creatures

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Katrina Penman (flute), 2024, Solfa Recordings / Orchard

2. White poppies beneath a summer storm

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Katrina Penman (flute), 2024, Solfa Recordings / Orchard

3. Springtime

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Penman Katrina

Katrina Penman (1982) is a British-Spanish flutist, composer, and educator whose work is defined by a synthesis of European classical precision and the rhythmic "duende" of Spanish folk traditions.
Born in London, she began her musical journey at the age of eight when she started flute lessons.
She has studied at the Royal College of Music with the renowned flutist Jaime Martín. Penman pursued advanced studies at the Accademia Nazionale di Santa Cecilia and the Conservatorio Santa Cecilia in Rome (2006). She also spent two years at the Accademia del Teatro alla Scala in Milan under Davide Formisano.
Since 2009, Penman has been based in Spain, primarily in Valladolid. Her compositions, often written for flute and chamber ensembles, are published by Brotons & Mercadal and have received international accolades, including multiple Global Music Awards.