21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Penman Katrina
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Oriental for solo flute
Katrina Penman: Oriental for solo flute was originally drafted in 2016 and underwent a significant rewriting process that was finalized in 2021. The work is explicitly linked to the memory of Japanese composer Toru Takemitsu. Its completion in 2021 was timed to coincide with the 25th anniversary of Takemitsu's death.
The piece is inspired by traditional bamboo flutes (such as the shakuhachi). The prelude utilizes a melodic language intended to evoke these instruments, heavily influenced by the atmospheric and spatial sounds characteristic of Takemitsu.
In contrast to the Eastern-inspired opening, the variations are written in the style of an “étude de salon.” This follows the 19th-century Romantic tradition of composers like Johannes Donjon, utilizing the full technical range and "extension" of the modern Boehm flute.
Penman revisited the work during the wake of the COVID-19 pandemic. This was a period of intense creative output where she focused on themes of nature, isolation, and legacy, also completing her suite Memorias.
Katrina Penman (flute), 2024, Solfa Recordings / Orchard
Oriental
Penman Katrina
Katrina Penman (1982) is a British-Spanish flutist, composer, and educator whose work is defined by a synthesis of European classical precision and the rhythmic "duende" of Spanish folk traditions.
Born in London, she began her musical journey at the age of eight when she started flute lessons.
She has studied at the Royal College of Music with the renowned flutist Jaime Martín. Penman pursued advanced studies at the Accademia Nazionale di Santa Cecilia and the Conservatorio Santa Cecilia in Rome (2006). She also spent two years at the Accademia del Teatro alla Scala in Milan under Davide Formisano.
Since 2009, Penman has been based in Spain, primarily in Valladolid. Her compositions, often written for flute and chamber ensembles, are published by Brotons & Mercadal and have received international accolades, including multiple Global Music Awards.