Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Pergolesi Giovanni Battista
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Concerto for flute in G Major No. 1
G.B. Pergolesi: Flute Concerto in G major No. 1 was written around the 1730s – 1740s. The status of the flute concertos attributed to Pergolesi is one of the most famous cases of disputed authorship in Baroque and Classical music scholarship. Most modern scholars, including those contributing to the New Grove Dictionary of Music, agree that these concertos were likely not composed by Pergolesi. Pergolesi died at the age of 26 in 1736. Following his death, his fame (particularly due to his Stabat Mater) skyrocketed across Europe. Publishers, seeking to capitalize on his "brand," frequently attached his name to works by lesser-known or anonymous composers.
Research suggests the Concerto in G Major may actually be the work of Giuseppe Tartini. This stems from evidence found in 18th-century manuscript collections, found in the library of the Royal Swedish Academy of Music in Stockholm, and stylistic analysis that aligns more closely with the Venetian school than the Neapolitan style of Pergolesi.
Pergolesi was primarily a composer of vocal and sacred music. Instrumental concertos are extremely rare and "doubtful" in his authentic output. Conversely, Tartini was a prolific instrumentalist who composed over 100 violin concertos and several flute concertos.
Additionally, the G Major Concerto reflects the Galante style, which bridges the late Baroque and early Classical periods. This style was more characteristic of the northern Italian (Venetian and Paduan) tradition led by Tartini during the mid-18th century, well after Pergolesi’s death in 1736.
Andrew Lawrence-King (cembalo), Orchestra Da Camera e del Veneto, Bruno Giuranna (conductor), 2013, The Orchard Music
1. Spiritoso; 2. Adagio; 3. Allegro Spiritoso
Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group
1. Spiritoso
Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group
2. Adagio
Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group
3. Allegro Spiritoso
Giovanni Battista Pergolesi (1710-1736) was an Italian violinist, organist and composer who throughout his short life (he died of tuberculosis at the age of 26) became famous for his intermezzo from the opera "La Serva Padrona" (The Maid Turned Mistress) and his sacred music work "Stabat mater".
Pergolesi’s family name was Draghi but since his family came to Jesi from Pergola, municipality of Marche region, his family was called Pergolesi by locals. This name stuck even when young Giovanni continued his studies at the Naples Conservatory.
Pergolesi is regarded as one of the most important composers of comic opera (opera buffa). His operas, performed 16 years after his death in Paris, created so-called “quarrel of the comic actors” (Querelle des Bouffons) in 1752. The quarrel between supporters of French opera tradition then represented by J.B.Lully and J.P.Rameau and Italian comic opera fans represented by music of G.B.Pergolesi lasted for two years.