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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Pergolesi Giovanni Battista

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Concerto for flute in G Major No. 1

By Pergolesi Giovanni Battista

G.B. Pergolesi: Flute Concerto in G major No. 1 was written around the 1730s – 1740s. The status of the flute concertos attributed to Pergolesi is one of the most famous cases of disputed authorship in Baroque and Classical music scholarship. Most modern scholars, including those contributing to the New Grove Dictionary of Music, agree that these concertos were likely not composed by Pergolesi. Pergolesi died at the age of 26 in 1736. Following his death, his fame (particularly due to his Stabat Mater) skyrocketed across Europe. Publishers, seeking to capitalize on his "brand," frequently attached his name to works by lesser-known or anonymous composers.
Research suggests the Concerto in G Major may actually be the work of Giuseppe Tartini. This stems from evidence found in 18th-century manuscript collections, found in the library of the Royal Swedish Academy of Music in Stockholm, and stylistic analysis that aligns more closely with the Venetian school than the Neapolitan style of Pergolesi.
Pergolesi was primarily a composer of vocal and sacred music. Instrumental concertos are extremely rare and "doubtful" in his authentic output. Conversely, Tartini was a prolific instrumentalist who composed over 100 violin concertos and several flute concertos.
Additionally, the G Major Concerto reflects the Galante style, which bridges the late Baroque and early Classical periods. This style was more characteristic of the northern Italian (Venetian and Paduan) tradition led by Tartini during the mid-18th century, well after Pergolesi’s death in 1736.

Peter-Lucas Graf

Andrew Lawrence-King (cembalo), Orchestra Da Camera e del Veneto, Bruno Giuranna (conductor), 2013, The Orchard Music

1. Spiritoso; 2. Adagio; 3. Allegro Spiritoso

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Jean-Pierre Rampal

Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group

1. Spiritoso

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Jean-Pierre Rampal

Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group

2. Adagio

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Jean-Pierre Rampal

Karl Münchinger (conductor), Stuttgarter Kammerorchester, 1964, Decca / Universal Music Group

3. Allegro Spiritoso

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Pergolesi Giovanni Battista

Giovanni Battista Pergolesi (1710-1736) was an Italian violinist, organist and composer who throughout his short life (he died of tuberculosis at the age of 26) became famous for his intermezzo from the opera "La Serva Padrona" (The Maid Turned Mistress) and his sacred music work "Stabat mater".

Pergolesi’s family name was Draghi but since his family came to Jesi from Pergola, municipality of Marche region, his family was called Pergolesi by locals. This name stuck even when young Giovanni continued his studies at the Naples Conservatory.

Pergolesi is regarded as one of the most important composers of comic opera (opera buffa). His operas, performed 16 years after his death in Paris, created so-called “quarrel of the comic actors” (Querelle des Bouffons) in 1752. The quarrel between supporters of French opera tradition then represented by J.B.Lully and J.P.Rameau and Italian comic opera fans represented by music of G.B.Pergolesi lasted for two years.