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Solo repertoire

Baroque

Classical

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20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Persichetti Vincent

Adler, Samuel

Aitken, Robert

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Babbit, Milton

Bacchus, Peter

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Boismortier, Joseph Bodin de

Bon, Maarten

Borisova-Ollas, Victoria

Bourdin, Roger

Bozza, Eugène Joseph

Brings, Allen

Brown, Elizabeth

Burkhard, Willy

Carter, Elliott

Chamberlain, Nicole

Chaminade, Cécile

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Colgrass, Michael

Colquhoun, Michael

Connesson, Guillaume

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

De Lorenzo, Leonardo

Debussy, Claude

Dehnhard, Tilmann

DeLaney, Charles Oliver

Desenne, Paul

Dick, Robert

Dohnányi, Ernő

Donatoni, Franco

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Erb, Donald

Feld, Jindřich

Ferroud, Pierre-Octave

Firšt, Nenad

Flothuis, Marius

Folio, Cynthia

Françaix, Jean

Fukushima, Kazuo

Furrer, Beat

Garrop, Stacy

Glass, Philip

Gubajdulina, Sofia

Hailstork, Adolphus

Harberg, Amanda

Heiss, John

Heith, David

Hersh, Howard

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hovhaness, Alan

Hurel, Philippe

Ibert, Jacques

Ichiyanagi, Toshi

Igudesman, Aleksey

Ittzés, Gergely

Jacob, Gordon

Jemnitz, Sándor

Jóhannsson, Magnús Blöndal

Jolivet, André

Karg-Elert, Sigfrid

Kay, Ulysses

Koechlin, Charles

Kuhlau, Friedrich

Kupferman, Meyer

La Montaine, John

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Lias, Stephen

Liebermann, Lowell

Loeb, David

Loudova, Ivana

Louke, Phyllis Avidan

Marais, Marin

Maresz, Yan

Martino, Donald

Meltzer, Harold

Mercadante, Saverio

Mitchell, Jonathan

Monroe, Ervin

Muczynski, Robert

Nielsen, Carl

Offermans, Wil

Ornstein, Maarten

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Perle, George

Persichetti, Vincent

Piazzolla, Astor

Poulenc, Francis

Price, William

Pritsker, Gene

Ran, Shulamit

Rea, Stephanie

Reichert, Matthieu Andre

Riegger, Wallingford

Rotaru, Doina

Rozman, Anže

Saariaho, Kaija

Schocker, Gary

Sciarrino, Salvatore

Seif, Sami

Sollberger, Harvey

Somma, Victor

Takemitsu, Tōru

Telemann, Georg Philipp

Tomasi, Henri

Tower, Joan

Tromlitz, Johann George

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Widmann, Jörg

Woolf, Randall

Yi, Chen

Yun, Isang

Zgraja, Krystof

Parable XII for solo piccolo, Op. 125

By Persichetti Vincent

Vincent Persichetti: Parable XII for solo piccolo, Op. 125 was written in 1973 as part of overall 25 Parables composed over period of 20 years.
As opposed to his first set of Parables in general and Parable I for Alto Flute, Op. 100 (1965) in particular, composed strictly organized around twelve-tone rows and specific intervals that expand into motives, the second set of Parable II, Op. 125, is noted for its focus on phrasing and control rather than overt serialism.
By 1973, Persichetti’s approach had shifted toward "re-visitations" of his own older material, using the piccolo’s distinct register to find "new avenues of meaning" from his established tonal language.
1973 was a year of significant professional turmoil and creative output for Persichetti. In January 1973, Persichetti was at the center of a national scandal when his commissioned work for President Nixon's second inauguration, A Lincoln Address, was canceled by the Inaugural Committee. The committee feared that Lincoln's words about the "scourge" of war were too politically charged during the final stages of the Vietnam War. Despite the controversy, Persichetti was extremely productive in 1973, completing not only Parable XII (piccolo) but also Parable XIII (clarinet) and Parable XV (English horn).

Laurence Trott

2011, Fleur de Son

Parable XII

00:00
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Persichetti Vincent

Vincent Persichetti (1915-1987) was an American composer. Born in Philadelphia, he early developed his musical talent by playing piano, organ, double bass and tuba at early age, complemented by composition studies. At the age of 16 he was appointed as organist and choir director at the Arch Street Presbyterian Church in Philadelphia.

In 1941 he was appointed the head of theory and composition departments at the Philadelphia Conservatory, right after receiving Doctor of Music diploma there. In 1947 he joined the faculty of Juilliard School of Music and became a chairman of composition department in 1963.
His compositional style has been described as eclectic. Among his most noteworthy compositions: 25 Parables and 15 Serenades for various instruments, over 100 works for orchestra, works for organ, and three collections of songs.