Solo repertoire
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Persichetti Vincent
Adler, Samuel
Aitken, Robert
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Babbit, Milton
Bacchus, Peter
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Boismortier, Joseph Bodin de
Bon, Maarten
Borisova-Ollas, Victoria
Bourdin, Roger
Bozza, Eugène Joseph
Brings, Allen
Brown, Elizabeth
Burkhard, Willy
Carter, Elliott
Chamberlain, Nicole
Chaminade, Cécile
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Colgrass, Michael
Colquhoun, Michael
Connesson, Guillaume
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
De Lorenzo, Leonardo
Debussy, Claude
Dehnhard, Tilmann
DeLaney, Charles Oliver
Desenne, Paul
Dick, Robert
Dohnányi, Ernő
Donatoni, Franco
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Erb, Donald
Feld, Jindřich
Ferroud, Pierre-Octave
Firšt, Nenad
Flothuis, Marius
Folio, Cynthia
Françaix, Jean
Fukushima, Kazuo
Furrer, Beat
Garrop, Stacy
Glass, Philip
Gubajdulina, Sofia
Hailstork, Adolphus
Harberg, Amanda
Heiss, John
Heith, David
Hersh, Howard
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hovhaness, Alan
Hurel, Philippe
Ibert, Jacques
Ichiyanagi, Toshi
Igudesman, Aleksey
Ittzés, Gergely
Jacob, Gordon
Jemnitz, Sándor
Jóhannsson, Magnús Blöndal
Jolivet, André
Karg-Elert, Sigfrid
Kay, Ulysses
Koechlin, Charles
Kuhlau, Friedrich
Kupferman, Meyer
La Montaine, John
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
Lias, Stephen
Liebermann, Lowell
Loeb, David
Loudova, Ivana
Louke, Phyllis Avidan
Marais, Marin
Maresz, Yan
Martino, Donald
Meltzer, Harold
Mercadante, Saverio
Mitchell, Jonathan
Monroe, Ervin
Muczynski, Robert
Nielsen, Carl
Offermans, Wil
Ornstein, Maarten
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Perle, George
Persichetti, Vincent
Piazzolla, Astor
Poulenc, Francis
Price, William
Pritsker, Gene
Ran, Shulamit
Rea, Stephanie
Reichert, Matthieu Andre
Riegger, Wallingford
Rotaru, Doina
Rozman, Anže
Saariaho, Kaija
Schocker, Gary
Sciarrino, Salvatore
Seif, Sami
Sollberger, Harvey
Somma, Victor
Takemitsu, Tōru
Telemann, Georg Philipp
Tomasi, Henri
Tower, Joan
Tromlitz, Johann George
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Widmann, Jörg
Woolf, Randall
Yi, Chen
Yun, Isang
Zgraja, Krystof
Parable XII for solo piccolo, Op. 125
Vincent Persichetti: Parable XII for solo piccolo, Op. 125 was written in 1973 as part of overall 25 Parables composed over period of 20 years.
As opposed to his first set of Parables in general and Parable I for Alto Flute, Op. 100 (1965) in particular, composed strictly organized around twelve-tone rows and specific intervals that expand into motives, the second set of Parable II, Op. 125, is noted for its focus on phrasing and control rather than overt serialism.
By 1973, Persichetti’s approach had shifted toward "re-visitations" of his own older material, using the piccolo’s distinct register to find "new avenues of meaning" from his established tonal language.
1973 was a year of significant professional turmoil and creative output for Persichetti. In January 1973, Persichetti was at the center of a national scandal when his commissioned work for President Nixon's second inauguration, A Lincoln Address, was canceled by the Inaugural Committee. The committee feared that Lincoln's words about the "scourge" of war were too politically charged during the final stages of the Vietnam War. Despite the controversy, Persichetti was extremely productive in 1973, completing not only Parable XII (piccolo) but also Parable XIII (clarinet) and Parable XV (English horn).
Vincent Persichetti (1915-1987) was an American composer. Born in Philadelphia, he early developed his musical talent by playing piano, organ, double bass and tuba at early age, complemented by composition studies. At the age of 16 he was appointed as organist and choir director at the Arch Street Presbyterian Church in Philadelphia.
In 1941 he was appointed the head of theory and composition departments at the Philadelphia Conservatory, right after receiving Doctor of Music diploma there. In 1947 he joined the faculty of Juilliard School of Music and became a chairman of composition department in 1963.
His compositional style has been described as eclectic. Among his most noteworthy compositions: 25 Parables and 15 Serenades for various instruments, over 100 works for orchestra, works for organ, and three collections of songs.