21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Petrič Ivo
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Amicable Variations for flute and piano
Ivo Petrič: Amicable Variations for flute and piano was written in 2005.
The available sources do not specify a dedication, but the piece was recorded by the Slovenian flutist Matej Zupan and pianist Andreja Kosmač, who are likely the performers the composer had in mind.
In the early 2000s, Ivo Petrič (b. 1931) was in his seventies and continued to be a highly active and prolific composer, focusing on chamber music and solo works. This piece is part of his later output, which demonstrates a continued search for new sounds and forms while maintaining a strong instrumental balance.
Ivo Petrič (1931) is a prominent Slovenian composer, conductor, and music organizer who has been a vital force in 20th and 21st-century Slovenian music. He is a prolific artist known for his broad compositional range, from early avant-garde experiments to later, more accessible chamber and orchestral works.
Born in Ljubljana, Petrič studied composition at the Ljubljana Academy of Music under the guidance of the renowned Slovenian composer Blaž Arnič.
His early work was associated with the European avant-garde of the 1960s, exploring new sounds and techniques. Later in his career, his music shifted toward a more neo-romantic or post-modern lyrical style, focusing on clarity and expression. He has composed in virtually all genres, from solo instrumental pieces and chamber music to concertos and large-scale orchestral works.
Petrič was a founding member of the influential "Slavko Osterc" Ensemble (named after a Slovenian modernist composer), an organization dedicated to the performance of contemporary music. He also served as the artistic director and manager of the Slovenian Philharmonic Orchestra, playing a crucial role in the country's musical infrastructure.