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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

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Pierné Gabriel

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Canzonetta, Op. 19

By Pierné Gabriel

Gabriel Pierné: Canzonetta, Op. 19 for flute and piano was written in 1888. Originally for clarinet and piano. The piece is dedicated to Charles Turban, a renowned French clarinetist and professor at the Paris Conservatoire. The clarinet version premiered in 1888 in Paris. The flute adaptation followed shortly after, gaining popularity as a salon piece and a teaching tool at the Paris Conservatoire.
The Canzonetta is a definitive example of the Belle Époque "Fin de siècle" style. The title implies a "little song," and the music reflects this through its lyrical, Italianate melody. It demands a high level of tone control and "French style" elegance: seamless phrasing and a light, shimmering vibrato.
In 1888, Pierné was 25 and just returned to Paris from Italy, where he had gone after winning the prestigious Prix de Rome in 1882. Upon his return, he was active as an assistant to his teacher, César Franck, at the Basilica of Saint Clotilde. Following Franck's death in 1890, Pierné would eventually take over the position of organist.
While he was primarily known as a composer and organist in 1888, this was the period when he began the groundwork for his legendary conducting career with the Concerts Colonne.
That same year, he was working on his opera Vendée and several chamber works that displayed his gift for "Massenet-like" melodic charm combined with Franckian harmonic sophistication.

Alain Marion

Louise-Andrée Baril (piano), 1998, Analekta / Orchard

Canzonetta

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Pierné Gabriel

Gabriel Pierné (1863–1937) was a distinguished French composer, conductor, and organist of the late Romantic and early modern eras. He was a versatile and prolific musician who achieved considerable success in several musical fields during his lifetime.
Born in Metz, France, Pierné entered the prestigious Conservatoire de Paris at age ten, where he excelled as a student. He studied piano with Antoine Marmontel, organ with César Franck, and composition with Jules Massenet.
He was a brilliant student, winning the Premier Prix for piano, organ, counterpoint, and fugue, and, in 1882, the coveted Grand Prix de Rome for his cantata Edith.
In the following years Pierné balanced his time between composing, conducting, and performing. As an organist he succeeded his former teacher, César Franck, as the organist at the prominent Parisian basilica of Sainte-Clotilde in 1890, a post he held for many years.
He had a highly successful conducting career, notably as the director of the Concerts Colonne orchestra from 1910 until his death. In this role, he premiered important contemporary works, including Igor Stravinsky's Firebird Suite.
His compositions are known for their elegance, refinement, and meticulous craftsmanship, blending the contrapuntal rigor of Franck with the melodic grace of Massenet and the orchestral colors of Impressionism. He composed in many genres, including operas, ballets (Cydalise et le Chèvre-pied), orchestral works, and chamber music.