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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Pierné Gabriel

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Sonata in D Minor, Op. 36

By Pierné Gabriel

Gabriel Pierné: Sonata for flute and piano in D Minor, Op. 36 was written in 1900, originally for violin and piano. The piece was dedicated to the renowned French violinist Jacques Thibaud and premiered on April 23, 1901, at the Salle Pleyel in Paris.
The version for flute and piano is a transcription made by the composer himself, published in 1909.
Around 1900 Pierné was a prominent figure in French music, having already succeeded César Franck as the organist at Sainte-Clotilde in 1890. He was busy composing significant works like the oratorio La Croisade des Enfants (1902) and the opera La fille de Tabarin (1901). His style around the turn of the century showed the influence of his teachers, César Franck and Jules Massenet, blending Franck's cyclic form with a more Gallic elegance akin to Fauré.

Jean-Pierre Rampal

Pierre Barbizet (piano), 1973, ERATO / Warner Classics

1. Allegretto

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Jean-Pierre Rampal

Pierre Barbizet (piano), 1973, ERATO / Warner Classics

2. Allegretto Tranquillo

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Jean-Pierre Rampal

Pierre Barbizet (piano), 1973, ERATO / Warner Classics

3. Andante non Troppo

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Gergely Ittzés

Alex Szilasi (piano), 2017, Hungaraton

1. Allegretto; 2. Allegretto Tranquillo; 3. Andante non Troppo

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Pierné Gabriel

Gabriel Pierné (1863–1937) was a distinguished French composer, conductor, and organist of the late Romantic and early modern eras. He was a versatile and prolific musician who achieved considerable success in several musical fields during his lifetime.
Born in Metz, France, Pierné entered the prestigious Conservatoire de Paris at age ten, where he excelled as a student. He studied piano with Antoine Marmontel, organ with César Franck, and composition with Jules Massenet.
He was a brilliant student, winning the Premier Prix for piano, organ, counterpoint, and fugue, and, in 1882, the coveted Grand Prix de Rome for his cantata Edith.
In the following years Pierné balanced his time between composing, conducting, and performing. As an organist he succeeded his former teacher, César Franck, as the organist at the prominent Parisian basilica of Sainte-Clotilde in 1890, a post he held for many years.
He had a highly successful conducting career, notably as the director of the Concerts Colonne orchestra from 1910 until his death. In this role, he premiered important contemporary works, including Igor Stravinsky's Firebird Suite.
His compositions are known for their elegance, refinement, and meticulous craftsmanship, blending the contrapuntal rigor of Franck with the melodic grace of Massenet and the orchestral colors of Impressionism. He composed in many genres, including operas, ballets (Cydalise et le Chèvre-pied), orchestral works, and chamber music.