Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Pierné Gabriel
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Sonata in D Minor, Op. 36
Gabriel Pierné: Sonata for flute and piano in D Minor, Op. 36 was written in 1900, originally for violin and piano. The piece was dedicated to the renowned French violinist Jacques Thibaud and premiered on April 23, 1901, at the Salle Pleyel in Paris.
The version for flute and piano is a transcription made by the composer himself, published in 1909.
Around 1900 Pierné was a prominent figure in French music, having already succeeded César Franck as the organist at Sainte-Clotilde in 1890. He was busy composing significant works like the oratorio La Croisade des Enfants (1902) and the opera La fille de Tabarin (1901). His style around the turn of the century showed the influence of his teachers, César Franck and Jules Massenet, blending Franck's cyclic form with a more Gallic elegance akin to Fauré.
Pierre Barbizet (piano), 1973, ERATO / Warner Classics
2. Allegretto Tranquillo
Pierre Barbizet (piano), 1973, ERATO / Warner Classics
3. Andante non Troppo
Alex Szilasi (piano), 2017, Hungaraton
1. Allegretto; 2. Allegretto Tranquillo; 3. Andante non Troppo
Gabriel Pierné (1863–1937) was a distinguished French composer, conductor, and organist of the late Romantic and early modern eras. He was a versatile and prolific musician who achieved considerable success in several musical fields during his lifetime.
Born in Metz, France, Pierné entered the prestigious Conservatoire de Paris at age ten, where he excelled as a student. He studied piano with Antoine Marmontel, organ with César Franck, and composition with Jules Massenet.
He was a brilliant student, winning the Premier Prix for piano, organ, counterpoint, and fugue, and, in 1882, the coveted Grand Prix de Rome for his cantata Edith.
In the following years Pierné balanced his time between composing, conducting, and performing. As an organist he succeeded his former teacher, César Franck, as the organist at the prominent Parisian basilica of Sainte-Clotilde in 1890, a post he held for many years.
He had a highly successful conducting career, notably as the director of the Concerts Colonne orchestra from 1910 until his death. In this role, he premiered important contemporary works, including Igor Stravinsky's Firebird Suite.
His compositions are known for their elegance, refinement, and meticulous craftsmanship, blending the contrapuntal rigor of Franck with the melodic grace of Massenet and the orchestral colors of Impressionism. He composed in many genres, including operas, ballets (Cydalise et le Chèvre-pied), orchestral works, and chamber music.