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Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Pleyel Ignace Joseph

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Concerto in C Major

Concerto in C Major

By Pleyel Ignace Joseph

Ignace Joseph Pleyel: Concerto in C Major for flute and piano was written around 1790. Originally as a Cello Concerto in C Major. The original cello version was dedicated to King Frederick William II of Prussia, an accomplished amateur cellist.
Pleyel’s music was the most frequently performed in Europe during the late 1780s. The work likely saw its first professional flute performances in London or Paris between 1790 and 1792. By 1791, Pleyel was so famous that his music reportedly outsold Haydn’s. This concerto became a staple of the "London Professional Concerts."
The concerto is a quintessential example of the Classical "Style Galant", following the standard three-movement form. Unlike the more complex late works of Mozart, Pleyel’s concertos focused on immediate melodic appeal, which made them favorites of both professionals and high-level amateurs.
Around 1790 was the peak of Pleyel’s international fame, but also a time of significant political upheaval. In 1789, Pleyel was the Maître de Chapelle at Strasbourg Cathedral. However, the French Revolution soon abolished religious musical positions and church services.
In 1791, Pleyel was invited to London to lead the "Professional Concerts." This set up a "rivalry" with his former teacher, Joseph Haydn, who was leading the Salomon concerts at the same time. The two remained friends, but the press fueled a "Battle of the Composers."
At the beginning of the 1790s, Pleyel made a shift from full-time composer to publisher and piano builder. The success of works like this concerto provided the capital he needed to eventually found Maison Pleyel.

Emmanuel Pahud

Giovanni Antonini (conductor), Kammerorchesterbasel, 2014, Warner Classics

1. Allegro

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Emmanuel Pahud

Giovanni Antonini (conductor), Kammerorchesterbasel, 2014, Warner Classics

2. Adagio

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Emmanuel Pahud

Giovanni Antonini (conductor), Kammerorchesterbasel, 2014, Warner Classics

3. Rondo

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Pleyel Ignace Joseph

Ignace Joseph Pleyel (1757–1831) was a highly influential Austro-French composer, music publisher, and piano manufacturer.
Born in Ruppersthal, Lower Austria, in a family of a village schoolmaster, he was reportedly the twenty-fourth child of his father.
Despite growing up in humble conditions, his prodigious musical talent was recognized early by his father and local nobility. His education was funded by Count Ladislaus Erdődy, a Hungarian noble who provided an annual allowance and even a horse and carriage to support the young musician's training. Initially, he studied the composer Johann Baptist Wanhal. At age 15, he was sent to Eisenstadt to become a pupil of Joseph Haydn. He lived in Haydn's household for five years, becoming a "star pupil" and maintaining a lifelong friendship.
His first major position was as Kapellmeister for Count Erdődy in Pressburg (Bratislava). He later moved to France in 1783 to serve as assistant and eventually principal Kapellmeister at the Strasbourg Cathedral. In 1795, he moved to Paris and founded the music publishing house Maison Pleyel (1797), which issued over 4,000 works by major composers like Beethoven and Mozart. In 1807, he expanded into piano manufacturing; his instruments became world-renowned and were famously preferred by Frédéric Chopin.
Pleyel’s compositional style was the epitome of the
Viennese Classical tradition, celebrated for its "accessibility", without the dense intellectual complexity that sometimes alienated amateur performers of the time. His greatest strength was a seemingly inexhaustible gift for cantabile (singing) melodies. His themes were often described as "sweet," "graceful," and "pleasing." Overall, he composed 40 symphonies and 70 string quartets but is mostly known for his chamber music compositions.