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20th century

Baroque

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20th century

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Solo repertoire

Piccolo

Alto flute

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Poulenc Francis

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

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Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

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Bernstein, Leonard

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Bolling, Claude

Bon, Maarten

Bonis, Mel

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Boulanger, Marie-Juliette

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Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

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Brun, Georges

Burkhard, Willy

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Camus, Pierre

Carmichael, John

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Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

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Del Tredici, David

DeLaney, Charles Oliver

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Dinicu, Grigoraș

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Durey, Louis

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Françaix, Jean

Fukushima, Kazuo

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Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

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Grovlez, Gabriel

Guarnieri, Mozart Camargo

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Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

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Harty, Hamilton

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Heith, David

Henze, Hans-Werner

Higdon, Jennifer

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Offermans, Wil

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Yun, Isang

Zgraja, Krystof

Vocalise for Flute and Piano

By Poulenc Francis

Francis Poulenc: Vocalise for Flute and Piano was written 1927.
It is an arrangement of his "Vocalise-Étude" (FP 44), which he wrote for high voice and piano, as part of a a collection of vocalises (studies in tone production and execution) compiled by the publisher Leduc to provide material for singers studying "modern" music. The piece has no text and is meant to be sung on a single vowel, exploring tonal harmony and expressive performance.

In 1927, Francis Poulenc was 28 years old and already an established member of the Parisian group "Les Six". This period saw him producing works in a "light and graceful vein". He was known for his high spirits and irreverence in early works, and his music from this time, including the Concert champêtre for harpsichord and orchestra (1928), often mingled urban charm with 20th-century harmonies. He was an accomplished pianist, and his compositional focus at this time included song cycles and chamber music, with a notable preference for writing for wind instruments.

Richard Sherman

Ralph Votapek (piano), 2005, Summit Records / Orchard

Vocalise

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Poulenc Francis

Francis Poulenc (1899 - 1963) was a French composer and pianist. Born in a family of a wealthy manufacturer, he started to play piano at the age of five and was denied further musical studies at the Paris Conservatory by his father when he turned 14. Only after his death Francis was able to follow his dream to become a musician, greatly encouraged and influenced by his piano teacher Ricardo Viñes.

Eric Satie introduced him to a group of young composers which collectively became known as Les Six (Milhaud, Poulenc, Auric, Durey, Tailleferre and Honegger). Due to his bright nature, Poulenc acquired reputation as humorous, lightweight composer, even though he managed to compose such profound works as monodrama La voix humaine (Human voice) and opera Dialogues des Carmélites, which was premiered in Paris only three days after the premiere of his Flute Sonata.