Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Périlhou Albert
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Ballade for flute and piano in G minor (Op 34)
A. Périlhou: Ballade for flute (or violin) and piano in G minor was written in 1903 for the Paris Conservatoire competition and dedicated to Paul Taffanel. The Ballade was used as an examination piece ("Morceaux de concours") for flutists by the Paris Conservatoire in 1903 and 1910.
Around the time of the composition of the Balade, Périlhou was serving as the organist at Saint-Séverin church in the Latin Quarter, and the artistic advisor for the piano manufacturer Erard in Paris. His musical style was greatly influenced by his teacher and close friend Camille Saint-Saëns. He even spent some time in Algeria, following the example of his teacher.
Albert Périlhou (1846-1936) was a French composer, organist, and educator who played a significant role in the French musical establishment of the late 19th and early 20th centuries.
Born in Daumazan-sur-Ariège, a small commune in southwestern France, he received his formative musical education at the École Niedermeyer in Paris, an institution dedicated specifically to the study of church music and the organ. At the École Niedermeyer, he studied under prestigious teachers, most notably the composer Camille Saint-Saëns, with whom he maintained a lifelong professional relationship. This education emphasized a rigorous, classical approach to harmony and counterpoint.
Following his studies, he served as the organist at the church of Saint-Severin in Paris and eventually at Saint-Eustache. He later became a professor at the École Niedermeyer, eventually serving as its director from 1910 to 1914.
While he did not study at the Conservatoire, his works were frequently selected as "concours" (competition) pieces for its students, signaling his high standing in the academic musical community. His style was rooted in the refined, melodic tradition of the French Romantic school. He favored clarity and traditional forms, often drawing inspiration from pastoral themes.
He composed numerous works for organ, piano, and orchestra, as well as a series of "Chants de France", arrangements of traditional French folk songs that reflected his interest in national heritage. Périlhou is most famous among wind players for his Ballade for Flute and Piano (1903), dedicated to the virtuoso Paul Taffanel.