21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Pärt Arvo
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Estländler for Flute solo was written in 2006 by "comission" of a young girl who was studying flute at that time and completed for the birthday of a girl called Frauke, an elementary school classmate of the composer’s older son Immanuel.
The title of this piece was created from a dance-like character in ¾ meter from the Austrian folk dance, Ländler, but with the play on words – Est and Länd(l)er – the composer makes a reference to his homeland Estonia (or Estland, in German).
Arvo Pärt (1935) is one of the most famous Estonian composers of the the 20th and 21st century. Born in a small Estonian town Paide, young boy started to study piano with Ille Martin in Rakvere and Veljo Tormis in Tallinn.
Even he graduated the Tallinn Conservatoire as a composer, having produced several piano works and Symphony No. 1, he worked as a sound engineer at the Estonian Radio for 10 years, exposing himself to contemporary music by Eino Tamberg, Veljo Tormis, and Jaan Rääts and styles of neoclassicism, dodecaphony, serialism, sonorism, collage technique and aleatoricism. During that period he produced modern works inspired by Baroque music and quotes from J.S.Bach compositions (e.g. Collage über B-A-C-H).
Many of his works were heavely criticized since Estonia were part of the USSR at that time and his music, used text and embeded message in them were considered dangerous by Soviet regime. Since 1967 Pärt pursued his career as a freelance composer, producing soundracks for many Estonian movies and animated films at that time.
This period often is called "period of crisis" during which he finally renunciate the modernist techniques and radically changed his musical style to quest of self-exploration, immersing himself in studying Gregorian chant, the Notre Dame School and Renaissance polyphony. Year 1976 marked the beginning of his original musical language, which he called tintinnabuli (from tintinnabulum – Latin for ’little bell’), producing such profound compositions as Fratres (1977), Tabula rasa (1977) and Spiegel im Spiegel (1978). In 1980 he was forced to emigrate to Vienna with his family, and later to Berlin where he lived for almost 30 years, producing world-known compositions like Stabat Mater (1985), Te Deum (1985), Miserere (1989/1992) etc. He returned to his native Estonia in 2010 where his birthday has been celebrated each year at National level, attracting world's class performers all around the world. In 2010 the Arvo Pärt Centre was established in Laulasmaa, containing his personal archive.