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Baroque

Baroque

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20th century

21st century

Solo repertoire

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Alto flute

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Quantz Johann Joachim

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Concerto for flute in G Major (No 151, QV 5:165)

Concerto for flute in G Major (No 151, QV 5:165)

By Quantz Johann Joachim

Quantz J.J.: Flute Concerto No 151 in G Major is one of the most popular works among hundreds of compositions he wrote during his lifetime: more than 200 sonatas and nearly 300 concertos.
Quantz, as a German flutist, composer, and flute maker, was a prominent figure in the 18th century, known for his contributions to flute music and technique.
Quantz composed this concerto during his time at the court of Frederick the Great of Prussia, where he served as a court musician and flute teacher to the king. The exact date of composition is not certain. Most likely it was written around the 1740s or 1750s.

According to Quantz (Quantz, Versuch, 185), the cadenza for
wind instruments's concertos should be short, and “so constituted that they can be performed in one breath.

Patrick Gallois

Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (conductor), 1994. Deutsche Grammophon

1. Allegro

00:00
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Patrick Gallois

Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (conductor), 1994. Deutsche Grammophon

2. Arioso

00:00
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Patrick Gallois

Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (conductor), 1994. Deutsche Grammophon

3. Presto

00:00
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Michael Martin Kofler

Timo Handschuh (conductor), Südwestdeutsches Kammerorchester Pforzheim, live performance on 4 September, 2015

1. Allegro

00:00
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Michael Martin Kofler

Timo Handschuh (conductor), Südwestdeutsches Kammerorchester Pforzheim, live performance on 4 September, 2015

2. Arioso

00:00
YouTube icon

Michael Martin Kofler

Timo Handschuh (conductor), Südwestdeutsches Kammerorchester Pforzheim, live performance on 4 September, 2015

3. Presto

00:00
YouTube icon

Quantz Johann Joachim

Johann Joachim Quantz (1697-1773) was a German composer, flutist and flute maker. He was regarded as the most prominent flutist of the eighteen century who made a big impact on Frederick II "The Great", King of Prussia who was his student as a young prince. The King played flute and composed some works for flute as well.

Quantz was born in Oberscheden in a family of blacksmith. After his father’s death he began music studies with his uncle and local organist. In 1717 he moved to Dresden where he studied counterpoint with J.D.Zelenka and flute with P.G.Buffardin, principal flute of the Royal Orchestra (Staatskapelle Dresden). From 1724 Quantz toured Europe for three years as a flutist, impressing by his artistry Scarlatti, Handel, Blavet and Queen of Prussia who wanted to hire him. Instead, he taught young Crown Prince Frederic II of Prussia despite his father’s (Frederick the Great) disapproval. When Frederick II became King of Prussia in 1740, Quantz officially took a position as a composer, flutist and flute maker at the King’s court in Potsdam until his death in 1773.
Besides his numerous works for flute Quantz is known as the author of Versuch einer Anweisung die Flöte traversiere zu spielen (Playing the traverse Flute) treatise as well as for his mechanical improvements of the flute as an instrument.