J.J. Quantz: Concerto for flute in G Major No. 29 (QV 5:174) was written approximately in 1745. The work is a prime example of the Empfindsamer Stil (sensitive style), characterized by intimate, subjective expression and frequent contrasts of "light and shade" meant to evoke specific "passions".
The first performance took place in 1745 at the Charlottenburg Palace in Berlin. This was a major venue for the court's musical life before the completion of the Sanssouci Palace in Potsdam.
By 1745, Quantz had been the exclusive "master of the chamber concerts" for Frederick the Great for four years, earning an unprecedented salary of 2,000 thalers. This concerto was composed during a period of relative peace for the Prussian court between the First and Second Silesian Wars, a time when the King’s evening Abendmusiken (chamber concerts) were at their most regular. Like nearly all of Quantz's 300 concertos, it was written specifically for King Frederick II (The Great) of Prussia. The King held the exclusive rights to the music. None of these concertos was published during Quantz's lifetime to ensure they remained the private property of the monarch.

Rachel Brown (flute), Roy Goodman (conductor), The Brandenburg Consort, 1997, Hyperion Records / Universal Music Group

1. Allegro assai

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Rachel Brown (flute), Roy Goodman (conductor), The Brandenburg Consort, 1997, Hyperion Records / Universal Music Group

2. Lento – Andante – Lento

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Rachel Brown (flute), Roy Goodman (conductor), The Brandenburg Consort, 1997, Hyperion Records / Universal Music Group

3. Vivace

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Quantz Johann Joachim

Johann Joachim Quantz (1697-1773) was a German composer, flutist and flute maker. He was regarded as the most prominent flutist of the eighteen century who made a big impact on Frederick II "The Great", King of Prussia who was his student as a young prince. The King played flute and composed some works for flute as well.

Quantz was born in Oberscheden in a family of blacksmith. After his father’s death he began music studies with his uncle and local organist. In 1717 he moved to Dresden where he studied counterpoint with J.D.Zelenka and flute with P.G.Buffardin, principal flute of the Royal Orchestra (Staatskapelle Dresden). From 1724 Quantz toured Europe for three years as a flutist, impressing by his artistry Scarlatti, Handel, Blavet and Queen of Prussia who wanted to hire him. Instead, he taught young Crown Prince Frederic II of Prussia despite his father’s (Frederick the Great) disapproval. When Frederick II became King of Prussia in 1740, Quantz officially took a position as a composer, flutist and flute maker at the King’s court in Potsdam until his death in 1773.
Besides his numerous works for flute Quantz is known as the author of Versuch einer Anweisung die Flöte traversiere zu spielen (Playing the traverse Flute) treatise as well as for his mechanical improvements of the flute as an instrument.