Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Reger Max
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Allegretto Grazioso for flute and piano in A Major
Allegretto Grazioso for flute and piano in A Major
Max Reger: Allegretto Grazioso for flute and piano in A Major was composed around 1903.
It is a short, charming character piece that contrasts with some of Reger's more complex, dense works.
At this time, around 1903, Max Reger was living in Munich and beginning to achieve wider recognition, though he remained a controversial figure in the musical world due to the complexity of his music. He was enormously prolific, composing chamber music, organ works, and songs. While known for his large-scale, intricate pieces inspired by Bach, he also composed many smaller, more accessible pieces, like the Allegretto Grazioso, to cater to a broader range of performers and publishers. This piece demonstrates his softer, more lyrical side.
Reger Max
Max Reger (1873–1916) was a German composer, pianist, organist, conductor, and teacher of the late Romantic era. He was a highly prolific and controversial figure known for his complex harmonic language, masterful use of counterpoint, and reverence for the music of J.S. Bach and Brahms.
Born in Brand, Bavaria, Reger showed musical promise early on. He received his first musical education from his father and later studied piano and theory formally in Sondershausen and Wiesbaden. His musical heroes were Bach, Beethoven, and Brahms, and their influence remained central to his musical DNA.
He was an exceptional organist and pianist, known for his improvisational skills and demanding performance schedule.
He held prestigious teaching positions, notably as a professor of composition at the Leipzig Conservatory, where he also served as director for a time.
He produced an immense body of work across nearly every genre except opera, including orchestral music, chamber music, organ works (which are central to his legacy), and Lieder.
His style is characterized by dense counterpoint. He frequently used complex fugues and variations, reflecting his deep study of Bach. His harmonic language was highly chromatic and expansive, pushing the boundaries of traditional tonality, a feature that divided critics during his lifetime.
Even though his music fell out of favor during the modernist movements of the 20th century, Reger's legacy has been re-evaluated in recent decades.