Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Reinecke Carl Heinrich Carsten
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Carl Reinecke: Von der Wiege bis zum Grabe, Op. 202
Carl Reinecke: Von der Wiege bis zum Grabe, Op. 202 was written around 1900.
"Von der Wiege bis zum Grabe" (From the Cradle to the Grave) originally was composed for piano four hands. The work consists of 16 character pieces in D Major. The piece is a musical homage to Robert Schumann, inspired by Hans Christian Andersen's fairy tales. It depicts the stages of life, from "Kinderträume" (Child's dreams) to "Ad Astra" (Upward to the stars).
The work was dedicated to Queen Alexandra (Alexandra of Denmark, wife of King Edward VII of the UK), who was known for her fondness for Andersen's fairy tales.
1. Kindesträume (Child's dreams)
2. Spiel und Tanz (Play and dance)
3. In Großmutters Stübchen (In granny's chamber)
4. Rüstiges Schaffen (Vigorous work)
5. In der Kirche (In church)
6. Hinaus in die Welt (Out into the wide, wide world)
7. Schöne Maiennacht, wo die Liebe wacht (O, lovely May! O, happy day.)
8. Hochzeitszug (Bridal Procession)
9. Des Hauses Weihe (The house-warming)
10. Stilles Glück (Silent Happiness)
11. Trübe Tage (Dreary days)
12. Trost (Consolation)
13. Geburtstagsmarsch (Birthday March)
14. Im Silberkranze (Silver crowned)
15. Abendsonne (Setting sun)
16. Ad Astra (Upward to the stars)
Ernesto Köhler made arrangements for flute and piano of the entire collection of 16 pieces. However, some published editions only present a selection of 8.
Christian Ivaldi (piano), 1995, Tudor / Naxos
2. Spiel und Tanz (Play and dance)
Christian Ivaldi (piano), 1995, Tudor / Naxos
4. Rüstiges Schaffen (Vigorous work)
Christian Ivaldi (piano), 1995, Tudor / Naxos
7. O schone Maiennacht (O, lovely May!)
Christian Ivaldi (piano), 1995, Tudor / Naxos
8. Hochzeitszug (Bridal Procession)
Christian Ivaldi (piano), 1995, Tudor / Naxos
13. Geburtstagsmarsch (Birthday March)
Christian Ivaldi (piano), 1995, Tudor / Naxos
14. Im Silberkranze (Silver crowned)
Carl Reinecke (1824-1910) was a towering figure in 19th-century German music, serving as a composer, conductor, virtuoso pianist, and one of the most influential pedagogues in history. He is best remembered today as the primary guardian of the Classical-Romantic tradition during the rise of modernism.
Born in Altona, then part of the Duchy of Holstein (under Danish rule, now part of Germany), he initially studied with his father, Johann Peter Rudolph Reinecke, a respected music theorist and teacher. Unlike many of his peers, Carl never attended a formal conservatory; his father’s rigorous curriculum focused on the works of Bach, Mozart, and Beethoven.
He began composing at age seven and made his public debut as a pianist at age eleven. In 1843, a concert tour led him to Leipzig, where he met Felix Mendelssohn and Robert Schumann, both of whom became his mentors and profound stylistic influences.
In 1860, Reinecke was appointed the conductor of the Leipzig Gewandhaus Orchestra, a position he held for 35 years. Under his leadership, the orchestra became a bastion of traditionalism, famously premiering Brahms’s A German Requiem.
As a professor at the Leipzig Conservatory, he taught many of the future masters, including Edvard Grieg, Isaac Albéniz, Leoš Janáček, Max Bruch, and Arthur Sullivan.
His music is characterized by its elegance, clarity of form, and "Mendelssohnian" lyricism. While he lived to see the dawn of the 20th century, he remained a staunch conservative, rejecting the "New German School" of Liszt and Wagner.