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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Reinecke Carl Heinrich Carsten

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Carl Reinecke: Von der Wiege bis zum Grabe, Op. 202

By Reinecke Carl Heinrich Carsten

Carl Reinecke: Von der Wiege bis zum Grabe, Op. 202 was written around 1900.
"Von der Wiege bis zum Grabe" (From the Cradle to the Grave) originally was composed for piano four hands. The work consists of 16 character pieces in D Major. The piece is a musical homage to Robert Schumann, inspired by Hans Christian Andersen's fairy tales. It depicts the stages of life, from "Kinderträume" (Child's dreams) to "Ad Astra" (Upward to the stars).
The work was dedicated to Queen Alexandra (Alexandra of Denmark, wife of King Edward VII of the UK), who was known for her fondness for Andersen's fairy tales.
1. Kindesträume (Child's dreams)
2. Spiel und Tanz (Play and dance)
3. In Großmutters Stübchen (In granny's chamber)
4. Rüstiges Schaffen (Vigorous work)
5. In der Kirche (In church)
6. Hinaus in die Welt (Out into the wide, wide world)
7. Schöne Maiennacht, wo die Liebe wacht (O, lovely May! O, happy day.)
8. Hochzeitszug (Bridal Procession)
9. Des Hauses Weihe (The house-warming)
10. Stilles Glück (Silent Happiness)
11. Trübe Tage (Dreary days)
12. Trost (Consolation)
13. Geburtstagsmarsch (Birthday March)
14. Im Silberkranze (Silver crowned)
15. Abendsonne (Setting sun)
16. Ad Astra (Upward to the stars)

Ernesto Köhler made arrangements for flute and piano of the entire collection of 16 pieces. However, some published editions only present a selection of 8.

András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

2. Spiel und Tanz (Play and dance)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

4. Rüstiges Schaffen (Vigorous work)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

7. O schone Maiennacht (O, lovely May!)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

8. Hochzeitszug (Bridal Procession)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

12. Trost (Consolation)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

13. Geburtstagsmarsch (Birthday March)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

14. Im Silberkranze (Silver crowned)

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András Adorján

Christian Ivaldi (piano), 1995, Tudor / Naxos

15. Abendsonne (Setting sun)

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Reinecke Carl Heinrich Carsten

Carl Reinecke (1824-1910) was a towering figure in 19th-century German music, serving as a composer, conductor, virtuoso pianist, and one of the most influential pedagogues in history. He is best remembered today as the primary guardian of the Classical-Romantic tradition during the rise of modernism.
Born in Altona, then part of the Duchy of Holstein (under Danish rule, now part of Germany), he initially studied with his father, Johann Peter Rudolph Reinecke, a respected music theorist and teacher. Unlike many of his peers, Carl never attended a formal conservatory; his father’s rigorous curriculum focused on the works of Bach, Mozart, and Beethoven.
He began composing at age seven and made his public debut as a pianist at age eleven. In 1843, a concert tour led him to Leipzig, where he met Felix Mendelssohn and Robert Schumann, both of whom became his mentors and profound stylistic influences.
In 1860, Reinecke was appointed the conductor of the Leipzig Gewandhaus Orchestra, a position he held for 35 years. Under his leadership, the orchestra became a bastion of traditionalism, famously premiering Brahms’s A German Requiem.
As a professor at the Leipzig Conservatory, he taught many of the future masters, including Edvard Grieg, Isaac Albéniz, Leoš Janáček, Max Bruch, and Arthur Sullivan.
His music is characterized by its elegance, clarity of form, and "Mendelssohnian" lyricism. While he lived to see the dawn of the 20th century, he remained a staunch conservative, rejecting the "New German School" of Liszt and Wagner.