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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Reinecke Carl Heinrich Carsten

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Concerto for flute and orchestra in D Major, Op. 283

By Reinecke Carl Heinrich Carsten

Carl Reinecke: Concerto for flute and orchestra in D Major, Op. 283 was written in 1908, at the age of 84, and dedicated to Maximilian Schwedler, the principal flutist of the Leipzig Gewandhaus Orchestra, who performed it for the first time in Leipzig on March 15, 1909. The premiere took place at the Great Hall of the Zoological Garden in Leipzig by Maximilian Schwedler and pianist Oswin Keller. The orchestral premiere took place on September 4, 1909, at London's Queen's Hall during the Proms, featuring flutist Albert Fransella and conductor Henry Wood.
The piece is widely considered the last great Romantic flute concerto.
In 1908, Reinecke was in the final chapter of a prolific career. Despite being technically written in the 20th century, the piece is unashamedly conservative and Romantic. While contemporaries like Debussy and Mahler were pushing musical boundaries, Reinecke remained a stern guardian of the Classical-Romantic tradition of Mendelssohn and Schumann.
The second movement, Lento e mesto (slow and sad), is often described as an introspective, poignant "lamento," perhaps reflecting the composer’s awareness of his own approaching death. He died only a year after the premiere in March 1910.

Sebastian Jacot

Symphonieorchester des Bayerischen Rundfunks, Jun Märkl (conductor), 2015, final round of ARD competition

1. Allegro molto moderato, 2. Lento, 3. Finale moderato

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Francisco Lopez

Symphonieorchester des Bayerischen Rundfunks, Jun Märkl (conductor), 2015, final round of ARD competition

1. Allegro molto moderato, 2. Lento, 3. Finale moderato

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Emmanuel Pahud

Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics

1. Allegro molto moderato

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Emmanuel Pahud

Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics

2. Lento e mesto

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Emmanuel Pahud

Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics

3. Moderato - Piû mosso

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Reinecke Carl Heinrich Carsten

Carl Reinecke (1824-1910) was a towering figure in 19th-century German music, serving as a composer, conductor, virtuoso pianist, and one of the most influential pedagogues in history. He is best remembered today as the primary guardian of the Classical-Romantic tradition during the rise of modernism.
Born in Altona, then part of the Duchy of Holstein (under Danish rule, now part of Germany), he initially studied with his father, Johann Peter Rudolph Reinecke, a respected music theorist and teacher. Unlike many of his peers, Carl never attended a formal conservatory; his father’s rigorous curriculum focused on the works of Bach, Mozart, and Beethoven.
He began composing at age seven and made his public debut as a pianist at age eleven. In 1843, a concert tour led him to Leipzig, where he met Felix Mendelssohn and Robert Schumann, both of whom became his mentors and profound stylistic influences.
In 1860, Reinecke was appointed the conductor of the Leipzig Gewandhaus Orchestra, a position he held for 35 years. Under his leadership, the orchestra became a bastion of traditionalism, famously premiering Brahms’s A German Requiem.
As a professor at the Leipzig Conservatory, he taught many of the future masters, including Edvard Grieg, Isaac Albéniz, Leoš Janáček, Max Bruch, and Arthur Sullivan.
His music is characterized by its elegance, clarity of form, and "Mendelssohnian" lyricism. While he lived to see the dawn of the 20th century, he remained a staunch conservative, rejecting the "New German School" of Liszt and Wagner.