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Reinecke Carl Heinrich Carsten
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Concerto for flute and orchestra in D Major, Op. 283
Carl Reinecke: Concerto for flute and orchestra in D Major, Op. 283 was written in 1908, at the age of 84, and dedicated to Maximilian Schwedler, the principal flutist of the Leipzig Gewandhaus Orchestra, who performed it for the first time in Leipzig on March 15, 1909. The premiere took place at the Great Hall of the Zoological Garden in Leipzig by Maximilian Schwedler and pianist Oswin Keller. The orchestral premiere took place on September 4, 1909, at London's Queen's Hall during the Proms, featuring flutist Albert Fransella and conductor Henry Wood.
The piece is widely considered the last great Romantic flute concerto.
In 1908, Reinecke was in the final chapter of a prolific career. Despite being technically written in the 20th century, the piece is unashamedly conservative and Romantic. While contemporaries like Debussy and Mahler were pushing musical boundaries, Reinecke remained a stern guardian of the Classical-Romantic tradition of Mendelssohn and Schumann.
The second movement, Lento e mesto (slow and sad), is often described as an introspective, poignant "lamento," perhaps reflecting the composer’s awareness of his own approaching death. He died only a year after the premiere in March 1910.
Symphonieorchester des Bayerischen Rundfunks, Jun Märkl (conductor), 2015, final round of ARD competition
1. Allegro molto moderato, 2. Lento, 3. Finale moderato
Symphonieorchester des Bayerischen Rundfunks, Jun Märkl (conductor), 2015, final round of ARD competition
1. Allegro molto moderato, 2. Lento, 3. Finale moderato
Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics
1. Allegro molto moderato
Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics
2. Lento e mesto
Münchner Rundfunkorchester, Ivan Repušić (conductor), 2019, Parlophone / Warner Classics
3. Moderato - Piû mosso
Carl Reinecke (1824-1910) was a towering figure in 19th-century German music, serving as a composer, conductor, virtuoso pianist, and one of the most influential pedagogues in history. He is best remembered today as the primary guardian of the Classical-Romantic tradition during the rise of modernism.
Born in Altona, then part of the Duchy of Holstein (under Danish rule, now part of Germany), he initially studied with his father, Johann Peter Rudolph Reinecke, a respected music theorist and teacher. Unlike many of his peers, Carl never attended a formal conservatory; his father’s rigorous curriculum focused on the works of Bach, Mozart, and Beethoven.
He began composing at age seven and made his public debut as a pianist at age eleven. In 1843, a concert tour led him to Leipzig, where he met Felix Mendelssohn and Robert Schumann, both of whom became his mentors and profound stylistic influences.
In 1860, Reinecke was appointed the conductor of the Leipzig Gewandhaus Orchestra, a position he held for 35 years. Under his leadership, the orchestra became a bastion of traditionalism, famously premiering Brahms’s A German Requiem.
As a professor at the Leipzig Conservatory, he taught many of the future masters, including Edvard Grieg, Isaac Albéniz, Leoš Janáček, Max Bruch, and Arthur Sullivan.
His music is characterized by its elegance, clarity of form, and "Mendelssohnian" lyricism. While he lived to see the dawn of the 20th century, he remained a staunch conservative, rejecting the "New German School" of Liszt and Wagner.