Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Ries Ferdinand
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Flute Sonata in E-Flat Major, Op. 169
Ferdinand Ries: Sonata for Flute and Piano in E-Flat Major, Op. 169, "Sonate sentimentale" was written in 1826 and dedicated to a flutist named Captain Kinsky. This was likely Franz Joseph, Prince Kinsky (Fürst Kinsky von Wchinitz und Tettau), an amateur flutist and a prominent Bohemian nobleman and art patron, who was also a patron of Beethoven.
The nickname "Sonate sentimentale" most likely refers to the expressive, Romantic, and emotional character of the music itself, contrasting with the purely technical brillant style popular at the time. "Sentimentale" emphasizes the profound feeling and lyrical nature of the work.
While the exact origin of this specific nickname is not widely documented, the sonata is often recorded under this evocative title
Around 1826, Ries was at the peak of his career and financial success. He had returned to Germany after a highly successful decade in London and was living in Frankfurt and later in Bonn.
His music from this period reflects the emerging Romantic style but still retains the structural clarity of the Classical era, with a focus on melodic charm and brilliant technical displays (typical of the brillant style popular in Europe at the time). He composed extensively for the flute to capitalize on the instrument's popularity and the demand for chamber music.
Ferdinand Ries (1784–1838) was a prominent German composer, pianist, conductor, and teacher of the late Classical and early Romantic eras. He is historically significant not only for his extensive musical output but also as a student, friend, and biographer of Ludwig van Beethoven.
Born in Bonn, Germany in a musical family. His father, Franz Ries, was a violinist in the Bonn court orchestra and a friend of Beethoven's father. Ries studied violin with his father, cello with Bernhard Romberg, and composition with Ferdinand Hiller. In 1801, he traveled to Vienna to study piano and composition with Beethoven, who was a strict but generous mentor. Beethoven held Ries in high regard and provided him with support and introductions throughout his life.
Ries spent a highly successful decade in London (1813–1824), which was the peak of his career. He became a director of the London Philharmonic Society and established himself as a celebrated piano virtuoso and a fashionable composer. During this period, he became financially independent by catering to the popular demand for chamber music and a brilliant, virtuosic performance style.
Ries returned to Germany in 1824 and settled in Frankfurt am Main, working as a composer and conductor. He also collaborated with Franz Gerhard Wegeler on an important set of biographical notes about Beethoven, Biographische Notizen über Ludwig van Beethoven (1838).
His musical style serves as a bridge between the Classical structure of Beethoven and the expressive, Romantic lyricism of composers like Schumann and Mendelssohn.
Ries was an incredibly prolific composer, producing a large catalog of over 180 published works across virtually every genre: eight symphonies, numerous concertos (for violin, piano, and other instruments), chamber music, and operas.