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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Ries Ferdinand

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Flute Sonata in E-Flat Major, Op. 169

By Ries Ferdinand

Ferdinand Ries: Sonata for Flute and Piano in E-Flat Major, Op. 169, "Sonate sentimentale" was written in 1826 and dedicated to a flutist named Captain Kinsky. This was likely Franz Joseph, Prince Kinsky (Fürst Kinsky von Wchinitz und Tettau), an amateur flutist and a prominent Bohemian nobleman and art patron, who was also a patron of Beethoven.

The nickname "Sonate sentimentale" most likely refers to the expressive, Romantic, and emotional character of the music itself, contrasting with the purely technical brillant style popular at the time. "Sentimentale" emphasizes the profound feeling and lyrical nature of the work.
While the exact origin of this specific nickname is not widely documented, the sonata is often recorded under this evocative title

Around 1826, Ries was at the peak of his career and financial success. He had returned to Germany after a highly successful decade in London and was living in Frankfurt and later in Bonn.
His music from this period reflects the emerging Romantic style but still retains the structural clarity of the Classical era, with a focus on melodic charm and brilliant technical displays (typical of the brillant style popular in Europe at the time). He composed extensively for the flute to capitalize on the instrument's popularity and the demand for chamber music.

Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

1. Allegro moderato

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

2. Adagio con moto

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

3. Allegro

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Ries Ferdinand

Ferdinand Ries (1784–1838) was a prominent German composer, pianist, conductor, and teacher of the late Classical and early Romantic eras. He is historically significant not only for his extensive musical output but also as a student, friend, and biographer of Ludwig van Beethoven.
Born in Bonn, Germany in a musical family. His father, Franz Ries, was a violinist in the Bonn court orchestra and a friend of Beethoven's father. Ries studied violin with his father, cello with Bernhard Romberg, and composition with Ferdinand Hiller. In 1801, he traveled to Vienna to study piano and composition with Beethoven, who was a strict but generous mentor. Beethoven held Ries in high regard and provided him with support and introductions throughout his life.
Ries spent a highly successful decade in London (1813–1824), which was the peak of his career. He became a director of the London Philharmonic Society and established himself as a celebrated piano virtuoso and a fashionable composer. During this period, he became financially independent by catering to the popular demand for chamber music and a brilliant, virtuosic performance style.
Ries returned to Germany in 1824 and settled in Frankfurt am Main, working as a composer and conductor. He also collaborated with Franz Gerhard Wegeler on an important set of biographical notes about Beethoven, Biographische Notizen über Ludwig van Beethoven (1838).
His musical style serves as a bridge between the Classical structure of Beethoven and the expressive, Romantic lyricism of composers like Schumann and Mendelssohn.
Ries was an incredibly prolific composer, producing a large catalog of over 180 published works across virtually every genre: eight symphonies, numerous concertos (for violin, piano, and other instruments), chamber music, and operas.