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Romantic

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Solo repertoire

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Alto flute

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Ries Ferdinand

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Variations on a Portuguese Hymn, Op. 152, No. 1

By Ries Ferdinand

Ferdinand Ries: Variations on a Portuguese Hymn, Op. 152, No. 1 for flute and piano was published in 1828, but was likely composed earlier in the 1820s. The theme for the variations is the famous Christmas carol tune known as "Adeste Fideles" (O Come, All Ye Faithful). The hymn gained the nickname "Portuguese Hymn" in London after it was heard being sung at the Portuguese embassy chapel in the late 18th century.

By 1828, Ries had retired from the busy London scene where he had achieved great popular and financial success and settled in Frankfurt am Main, Germany, working as a freelance composer and conductor. This piece, along with other variation sets, catered to the popular demand for accessible yet virtuosic "salon" style music based on recognizable national or popular airs. The work reflects his ability to merge the structural models of the Classical era with the emerging musical language of the early Romantic period.

Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Theme: "Adeste Fideles"

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 1

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 2

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 3

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 4

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 5

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Uwe Grodd

Matteo Napoli (piano), 2010, Naxos

Variation 6

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Ries Ferdinand

Ferdinand Ries (1784–1838) was a prominent German composer, pianist, conductor, and teacher of the late Classical and early Romantic eras. He is historically significant not only for his extensive musical output but also as a student, friend, and biographer of Ludwig van Beethoven.
Born in Bonn, Germany in a musical family. His father, Franz Ries, was a violinist in the Bonn court orchestra and a friend of Beethoven's father. Ries studied violin with his father, cello with Bernhard Romberg, and composition with Ferdinand Hiller. In 1801, he traveled to Vienna to study piano and composition with Beethoven, who was a strict but generous mentor. Beethoven held Ries in high regard and provided him with support and introductions throughout his life.
Ries spent a highly successful decade in London (1813–1824), which was the peak of his career. He became a director of the London Philharmonic Society and established himself as a celebrated piano virtuoso and a fashionable composer. During this period, he became financially independent by catering to the popular demand for chamber music and a brilliant, virtuosic performance style.
Ries returned to Germany in 1824 and settled in Frankfurt am Main, working as a composer and conductor. He also collaborated with Franz Gerhard Wegeler on an important set of biographical notes about Beethoven, Biographische Notizen über Ludwig van Beethoven (1838).
His musical style serves as a bridge between the Classical structure of Beethoven and the expressive, Romantic lyricism of composers like Schumann and Mendelssohn.
Ries was an incredibly prolific composer, producing a large catalog of over 180 published works across virtually every genre: eight symphonies, numerous concertos (for violin, piano, and other instruments), chamber music, and operas.