Piccolo
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Rotaru Doina
Adler, Samuel
Andersen, Joachim
Auric, Georges
Baksa, Andreas
Beaser, Robert
Benshoof, Ken
Boisson, Felix
Bonnisseau, Frédéric
Chamberlain, Nicole
Damase, Jean-Michel
Daugherty, Michael
Dehnhard, Tilmann
Donatoni, Franco
Dorff, Daniel
Harberg, Amanda
Huylebroeck, Jan
Jacob, Gordon
Janáček, Leoš
Koechlin, Charles
Krek, Uroš
Lavista, Mario
Liebermann, Lowell
Loeb, David
Mălăncioiu, Gabriel
Martinů, Bohuslav
Meltzer, Harold
Morlacchi, Pietro
Mower, Mike
Musgrave, Thea
Papandopulo, Boris
Persichetti, Vincent
Poulenc, Francis
Reichert, Matthieu Andre
Rotaru, Doina
Schocker, Gary
Silva, Pattápio
Smith, Matt
Vivaldi, Antonio
Wilder, Alec
Yun, Isang
Dragon Fly / Libellule for piccolo solo
Doina Rotaru: Dragon Fly / Libellule for piccolo was written in 2000 and dedicated to Bogdan Ștefănescu.
"Rotaru had two basic ideas as a frame for this work: the piece needed to have a connection with nature, as well as avoid the high register of the instrument. These components give Dragon-Fly a unique sonority. To create a complex sonorous universe, Rotaru uses different extended flute techniques, separately and in combination.
Unusual usage of the low and middle range of the instrument shows the composer’s impeccable sense for picturesque writing, perfectly sound-painting this delicate insect. By listening to this piece, one can create a short story about the day in the life of a dragonfly, from the fast trilling of the opening (suggesting the insect’s hectic flight and rapid approach), to the very last note played with bisbigliandi, creating a picture of the motionless insect with its wings barely moving on a summer breeze. The contrast between movement and rest is the main concept of this piece."
Iva Ugrčič
Doina Rotaru (1951) is a Romanian composer who often works with archetypes and symbols that she carefully weaves in her liquid-like heterophonies, blending archaic Romanian influences (particularly in the type of ornamentation or the frequent use of the flute) with contemporary techniques and structures.
Born in 1951 in Bucharest, she has written over 120 works to date, spanning nearly every musical genre: from solo, chamber, and choral works to orchestral pieces, and from works that combine instrumental and electronic music to music for puppet theatre.
Her music has been performed in numerous concerts and festivals worldwide. She has received commissions from Warsaw Autumn Festival, Radio France, Radio Graz, Suntory Hall Tokyo, French Ministry of Culture, various ensembles and soloists from Austria, Croatia, France, Germany, Iceland, Japan, The Netherlands, Sweden, and Switzerland.
Doina Rotaru was awarded prizes by the Romanian Academy (1996) and the Romanian Composers’ Association (10 prizes between 1981-2015), as well as the First Prize at the Gedok – Mannheim International Competition (1994). She was invited to hold lectures about her music in Germany, the Netherlands, the UK, Japan, Iceland, Sweden, Poland, Italy, and Spain.
She has taught since 1990 at the National University of Music in Bucharest, where she was also Head of the Composition Department between 2008-2013.