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Piccolo

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Rotaru Doina

Adler, Samuel

Andersen, Joachim

Auric, Georges

Baksa, Andreas

Beaser, Robert

Benshoof, Ken

Boisson, Felix

Bonnisseau, Frédéric

Chamberlain, Nicole

Damase, Jean-Michel

Daugherty, Michael

Dehnhard, Tilmann

Donatoni, Franco

Dorff, Daniel

Harberg, Amanda

Huylebroeck, Jan

Jacob, Gordon

Janáček, Leoš

Koechlin, Charles

Krek, Uroš

Lavista, Mario

Liebermann, Lowell

Loeb, David

Mălăncioiu, Gabriel

Martinů, Bohuslav

Meltzer, Harold

Morlacchi, Pietro

Mower, Mike

Musgrave, Thea

Papandopulo, Boris

Persichetti, Vincent

Poulenc, Francis

Reichert, Matthieu Andre

Rotaru, Doina

Schocker, Gary

Silva, Pattápio

Smith, Matt

Vivaldi, Antonio

Wilder, Alec

Yun, Isang

Dragon Fly / Libellule for piccolo solo

By Rotaru Doina

Doina Rotaru: Dragon Fly / Libellule for piccolo was written in 2000 and dedicated to Bogdan Ștefănescu.

"Rotaru had two basic ideas as a frame for this work: the piece needed to have a connection with nature, as well as avoid the high register of the instrument. These components give Dragon-Fly a unique sonority. To create a complex sonorous universe, Rotaru uses different extended flute techniques, separately and in combination.
Unusual usage of the low and middle range of the instrument shows the composer’s impeccable sense for picturesque writing, perfectly sound-painting this delicate insect. By listening to this piece, one can create a short story about the day in the life of a dragonfly, from the fast trilling of the opening (suggesting the insect’s hectic flight and rapid approach), to the very last note played with bisbigliandi, creating a picture of the motionless insect with its wings barely moving on a summer breeze. The contrast between movement and rest is the main concept of this piece."
Iva Ugrčič

Iva Ugrčič

2020, Microton Media

Dragonfly

00:00
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Katlijn Sergeant

2021

Dragonfly

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Rotaru Doina

Doina Rotaru (1951) is a Romanian composer who often works with archetypes and symbols that she carefully weaves in her liquid-like heterophonies, blending archaic Romanian influences (particularly in the type of ornamentation or the frequent use of the flute) with contemporary techniques and structures.
Born in 1951 in Bucharest, she has written over 120 works to date, spanning nearly every musical genre: from solo, chamber, and choral works to orchestral pieces, and from works that combine instrumental and electronic music to music for puppet theatre.
Her music has been performed in numerous concerts and festivals worldwide. She has received commissions from Warsaw Autumn Festival, Radio France, Radio Graz, Suntory Hall Tokyo, French Ministry of Culture, various ensembles and soloists from Austria, Croatia, France, Germany, Iceland, Japan, The Netherlands, Sweden, and Switzerland.
Doina Rotaru was awarded prizes by the Romanian Academy (1996) and the Romanian Composers’ Association (10 prizes between 1981-2015), as well as the First Prize at the Gedok – Mannheim International Competition (1994). She was invited to hold lectures about her music in Germany, the Netherlands, the UK, Japan, Iceland, Sweden, Poland, Italy, and Spain.

She has taught since 1990 at the National University of Music in Bucharest, where she was also Head of the Composition Department between 2008-2013.