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Bass flute

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Rotaru Doina

Dehnhard, Tilmann

Lavista, Mario

Meltzer, Harold

Rotaru, Doina

Yun, Isang

Japanese Garden for bass flute and pre-recorded sounds

By Rotaru Doina

Doina Rotaru: Japanese Garden for bass flute (doubl. piccolo) and pre-recorded sounds was written in 2006 and dedicated to Bogdan Ștefănescu.

Japanese Garden illustrates the use of normal sound of the bass flute. The lyrical character is created by its warm sound and melodic lines. According to the composer, the reason why she used the bass

flute in this piece was to create a kind of illusion with the sound of Shakuhachi, Japanese bamboo flute which is also used in the tape part.

Mario Caroli

Live performance, December, 2010, Chiesa di Santa Teresa dei Maschi, Bari Borgo Antico, Italy.

Japanese Garden

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Iva Ugrčič

2018, Microton Media

Japanese Garden

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Rotaru Doina

Doina Rotaru (1951) is a Romanian composer who often works with archetypes and symbols that she carefully weaves in her liquid-like heterophonies, blending archaic Romanian influences (particularly in the type of ornamentation or the frequent use of the flute) with contemporary techniques and structures.
Born in 1951 in Bucharest, she has written over 120 works to date, spanning nearly every musical genre: from solo, chamber, and choral works to orchestral pieces, and from works that combine instrumental and electronic music to music for puppet theatre.
Her music has been performed in numerous concerts and festivals worldwide. She has received commissions from Warsaw Autumn Festival, Radio France, Radio Graz, Suntory Hall Tokyo, French Ministry of Culture, various ensembles and soloists from Austria, Croatia, France, Germany, Iceland, Japan, The Netherlands, Sweden, and Switzerland.
Doina Rotaru was awarded prizes by the Romanian Academy (1996) and the Romanian Composers’ Association (10 prizes between 1981-2015), as well as the First Prize at the Gedok – Mannheim International Competition (1994). She was invited to hold lectures about her music in Germany, the Netherlands, the UK, Japan, Iceland, Sweden, Poland, Italy, and Spain.

She has taught since 1990 at the National University of Music in Bucharest, where she was also Head of the Composition Department between 2008-2013.