21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Rotaru Doina
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Doina Rotaru: Jyotis for flute solo was written in 2017 by commission of Radio France for the Alla Breve Broadcast and dedicated to Mario Caroli.
In Indian philosophy, "Jyotis" means light, and the work explores different aspects of light, including its connection to prayer, the duality of shadow and light, and the contrast between sacred and profane music.
Live performance, 05.11.2019., The Cantacuzino Palace Hall, MERIDIAN International Festival "SONIC GARDENS", Bucharest
Jyotis
Doina Rotaru (1951) is a Romanian composer who often works with archetypes and symbols that she carefully weaves in her liquid-like heterophonies, blending archaic Romanian influences (particularly in the type of ornamentation or the frequent use of the flute) with contemporary techniques and structures.
Born in 1951 in Bucharest, she has written over 120 works to date, spanning nearly every musical genre: from solo, chamber, and choral works to orchestral pieces, and from works that combine instrumental and electronic music to music for puppet theatre.
Her music has been performed in numerous concerts and festivals worldwide. She has received commissions from Warsaw Autumn Festival, Radio France, Radio Graz, Suntory Hall Tokyo, French Ministry of Culture, various ensembles and soloists from Austria, Croatia, France, Germany, Iceland, Japan, The Netherlands, Sweden, and Switzerland.
Doina Rotaru was awarded prizes by the Romanian Academy (1996) and the Romanian Composers’ Association (10 prizes between 1981-2015), as well as the First Prize at the Gedok – Mannheim International Competition (1994). She was invited to hold lectures about her music in Germany, the Netherlands, the UK, Japan, Iceland, Sweden, Poland, Italy, and Spain.
She has taught since 1990 at the National University of Music in Bucharest, where she was also Head of the Composition Department between 2008-2013.