20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Rouse Christopher

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

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Colquhoun, Michael

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Dahl, Walter Ingolf Marcus

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Del Tredici, David

DeLaney, Charles Oliver

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Dèsbriere, Jacques

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Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

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Folio, Cynthia

Foote, Arthur

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Genzmer, Harald

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Hanson, Howard Harold

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Harbison, John

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Heith, David

Henze, Hans-Werner

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Holmboe, Vagn

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Hüe, Georges Adolphe

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Kennan, Kent Wheeler

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Kernis, Aaron Jay

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Rouse, Christopher

Roussel, Albert

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Schmidt, Ole

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Tomasi, Henri

Tower, Joan

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Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Flute Concerto

By Rouse Christopher

Christopher Rouse: Flute Concerto was written in 1993, in Fairport, New York, and dedicated to Rouse's wife Ann. The Flute Concerto was composed for Carol Wincenc and first performed on October 27, 1994, by Wincenc and the Detroit Symphony at Orchestra Hall in Detroit, Michigan.
The piece was inspired by Celtic music and consists of 5 movements.
“Although both of my parents’ families immigrated to America well before the Revolutionary War, I nonetheless still feel a deep ancestral tug of recognition whenever I am exposed to the arts and traditions of the British Isles, particularly those of Celtic origin.”

Christopher Rouse

1. Anhran.
The first and last movements are entitled “Anhran,” which is Gaelic for song. Rouse says, “They were intended in a general way to evoke the traditions of Celtic, especially Irish folk music, but to couch the musical utterance in what I hoped would seem a more spiritual, even metaphysical manner through the use of extremely slow tempi, perhaps not unlike some of the recordings of the Irish singer Enya.”
2. Alla Marcia
An energetic and boisterous march proceeding directly (attacca) from the first movement.
3. Elegia
Rouse: “structural and emotional centerpiece of the work.” It is a mournful lament for the dead, specifically composed to the memory of James Bulger, a two-year old English child who was abducted from a mall and brutally murdered by two ten-year-old boys.
4. Scherzo
Rouse writes that the fourth movement “keeps trying to become a jig.”
At some point, the jig is lost when the tempo accelerates to a point where the music becomes almost out of control.
Gradually, the chaos recedes, and without a break, the flute leads us into the final movement.
5. Anhram
This piece ends similarly to how it began: in an arch-like form.

Carol Wincenc