21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Rozman Anže
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Autumn in Homeland for flute solo
Autumn in Homeland for flute solo
Anže Rozman: Autumn in Homeland for flute solo was written in 2010 and dedicated to Slovenian flutist Matej Zupan.
The music is programmatic and nostalgic in nature. It depicts the gradual transition from summer to autumn, with imagery of trees changing colors, and the wind gently sweeping leaves from branches onto the forest floor.
Rozman's style is influenced by late Romantic composers, Impressionists, and film music, and this piece uses a tonal, modern classical language to create vivid imagery.
Rozman Anže
Anže Rozman (1989) is a Slovenian-born composer known for his evocative, cinematic, and harmonically rich music that bridges the gap between classical concert works and large-scale film scores.
Born in Ljubljana, Slovenia, Rozman studied composition at the Ljubljana Academy of Music with Professor Anže Ahačevčič. He quickly established a reputation in Slovenia for his concert works before expanding into film composition.
Rozman's music is characterized by its lyrical nature, lush harmonies, and ability to paint vivid sonic landscapes. His style blends the influences of late Romantic composers and Impressionism with the storytelling power and broad appeal of film music.
He divides his time between composing concert music and working as a highly successful orchestrator and additional music composer for major motion picture and television scores, often collaborating with the renowned film composer Hans Zimmer and the remote control productions team.