Danzi, Franz Ignaz
Demersseman, Jules-Auguste Edouard
Doppler, Albert Franz
Hüe, Georges Adolphe
Molique, Wilhelm Bernhard
Reinecke, Carl Heinrich Carsten
Taffanel, Claude Paul
Widor, Charles Marie Jean Albert
Odelette for flute and piano in D Major (Op 162)
C. Saint-Saëns: Odelette for flute and piano in D Major (Op 162) was written in 1920 and is the last composition for flute by Saint-Saëns. Even though the word Odelette in French means "Little spring", some sources claim that the title of this composition is a term for a woman of the Turkish harem, attributing this to Saint-Saëns's interest in authentic music in general and music from Islamic countries in particular.
Sharon BeTapiola Sinfonietta, Jean-Jacques Kantorow (conductor), 2002, BIS / Naxos
Laurent Wagschal (piano), 2010, D'hau, 1976, BMG Music
Münchner Rundfunkorchester, Marco Armiliato (conductor), 2006, Sony Classical
Camille Saint-Saëns (1835-1921) was a French composer, organist, pianist and teacher who is mostly renowned for his opera "Samson et Dalila", Symphony No 3 (Organ) and "Le Carnaval des Animaux" (The Carnaval of Animals) for small orchestra: humorous fantasy that was not performed during his lifetime.
Gifted pianist and organist, he studied at the Paris Conservatoire and served as a church organist for twenty years at renown "La Madeleine" church in Paris which was built to represent the glory of Napoleon's army. For less than 5 years he taught at École de Musique Classique et Religieuse in Paris where Gabriel Fauré and Maurice Ravel were among his students. Even though Saint-Saëns admired some works of modern music of his time composed by R.Schumann, F.Liszt and R.Wagner, he was in conflict with impressionist and dodecaphonic schools of music and regarded as a conservative, even reactionary figure in music around the turn of the 20th century.