21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Schocker Gary
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Blip Blip Blip" for flute solo
Sonata No. 1 for Flute and Piano
Sonata No. 3 for Flute and Piano
"In Memoriam" for flute and piano
“Sonata for Short Attention Spans” for piccolo and piano
Outside my window: BIRD for Piccolo and Piano
Piccolo Italiano for Piccolo and Piano
Sonata No. 1 for Piccolo and Piano
Sonata No. 3 for Piccolo and Piano
Sonata No. 4 for Piccolo and Piano
Sonata No. 5 for Piccolo and Piano
Sonata No. 6 for Piccolo and Piano
Sonata No. 7 for Piccolo and Piano
“Regrets and Resolutions” for flute and piano
"Airborne" for flute and piano
"Birthday Music" for flute and piano
"Green Places" for flute and piano
"Erev Shalom" for flute and piano
"Nach Bach" for flute and piano
"À Gaspar" for flute and piano
"Musique Francaise" for flute and piano
Sonata No. 4 for Flute and Piano, "Summer Sonata"
Sonata No. 5 for Flute and Piano
Sonata No. 6 for Flute and Piano, "La Salmonella"
Sonata No. 7 for Flute and Piano
Sonata No. 8 for Flute and Piano
Sonata No. 9 for Flute and Piano
"Blip Blip Blip" for flute solo
A Fond Farewell: "Meditation On September 11"
"Blue Bossa, Red Bossa" for flute and piano
"Prelude, Theme and Free Associations"
"Three Mystery Pieces" for flute and piano
"Soliloquy" for flute and piano
"Ambidextranata" for flute and piano
"Show Tunes" for flute and piano
"Jazzbird!" for flute and piano
"Mockingbird" for flute and piano
"Such Sweet Sorrow" for flute and piano
"Vocalise" for flute and piano
"Wabi-Sabi" for flute and piano
"A Late Summer Night's Dream" for flute and piano
"Conversations" for flute and piano
Xynoglyko "Sweet-Sour" for flute and piano
"Figments" for flute and piano
"Concertino Italiano" for flute and piano
"Viviana" for for flute and piano
"Madrigal" for flute and piano
"Sicilienne" for flute and piano
"Winter Jasmine" for flute and piano
"Coffee Break" for flute and piano
"Inside Out" for flute and piano
"Blip Blip Blip" for flute solo
Gary Schocker: "Blip Blip Blip" for flute solo was written in 2001. The three-movement suite is widely regarded as a self-commissioned character study. It is dedicated to his own exploration of articulation and the "blipping" sounds the modern flute can produce.
The year 2001 was a period of high rhythmic experimentation for Schocker. Composed just one month before his elegiac "A Fond Farewell: Meditation On September 11", "Blip Blip Blip" captures a "pre-9/11" lightheartedness. The title is onomatopoeic, mimicking the short, staccato, "blip"-like articulations required throughout the first and third movements.
By 2001, Schocker was intentionally expanding his catalog for solo flute, moving away from his earlier etude-heavy focus toward "concert solos" that could stand alone without piano. Written primarily in E minor, the work balances "playful rhythms" with "intricate dynamics". The center movement (Pensieroso) provides a stark, thoughtful contrast to the "demented" and fast-paced Tarantella finale that emphasizes crisp, rapid articulation rather than avant-garde extended techniques like multiphonics or whistle tones. The Tarantella is a relentless 6/8 sprint. Unlike a traditional Italian tarantella, Schocker uses offset accents that force the flutist to maintain double-tonguing across "unnatural" rhythmic groupings.
Schocker Gary
Gary Schocker (1959) is an American flutist, pianist, harpist, composer and teacher.
Born in Pennsylvania, he started to play flute at the age of 10 and 5 years later he debuted as a soloist with the Philadelphia Orchestra and the New York Philharmonic, becoming acclaimed performer before attending the Julliard School.
Laureate of many Young Artist competitions in the US, Gary Schocker has gained reputation as a versatile performer, able to fill in, if necessary, even Jean-Pierre Rampal when he had to perform W.A. Mozart concerto with the New Jersey Symphony Orchestra on a short notice.
Even though he regularly appears as a soloist or chamber musician throughout the world, he has proven to be a prolific composer. He has written music for almost every orchestral instrument and received multiple recognitions from the National Flute Association, winning twice the annual Newly Published Music Award.
Gary Schocker has recorded 8 CDs as a soloist with versatile repertoire and additional recordings with his recital companions Emily Mitchell (harp) and Jason Vieaux (guitar).
Gary Schocker teaches at the New York University and in his private studios in New York and Easton, Pennsylvania.