Romantic
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Schubert Franz
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Sonata Arpeggione for flute and piano in A minor (D 821)
F. Schubert: "Arpeggione Sonata" for flute and piano (D 821), originally - for arpeggione (bowed guitar), the instrument which was invented only in 1823, was written in 1824 on commission by Schubert's friend who was arpeggione virtuoso. Since the "Arpeggione Sonata" was finally published in 1871, when arpeggione already was extinct, the sonata was transcribed for cello or viola. Latest versions were made for flute (by Uwe Grodd) and other instruments as well.
Émile Naoumoff (piano), around 2000, unedited copy of lost master audio, recorded at home auditorium of Nadia Boulanger, Saphir Productions
1. Allegro 2. Adagio 3. Allegretto
Franz Schubert (1797-1828) was an Austrian composer who is regarded as one of the most prominent composers of the Romantic era.
Born in a suburb of Vienna in 1797, Schubert's musical gifts were recognized early. He received his first lessons from his father and older brother before earning a choral scholarship to the Imperial Seminary (Stadtkonvikt) at age eleven. There, he was exposed to the music of Mozart, Haydn, and Beethoven, and received composition lessons from the renowned court composer Antonio Salieri. He worked briefly as a schoolteacher at his father's school but found it unfulfilling, preferring to devote all his time to composition.
He composed seven complete symphonies, most notably the Symphony No. 8 in B minor (the "Unfinished" Symphony) and Symphony No. 9 in C Major (the "Great").
His chamber works are cornerstones of the repertoire, including the Trout Quintet, the String Quartet "Death and the Maiden", and the String Quintet in C Major.
He wrote over 600 Lieder, elevating the form to a high art by giving the piano an equal role in storytelling, most famously in "Erlkönig" (1815) and "Ave Maria!" (1825), and in his song cycles Die schöne Müllerin and Winterreise.
During his lifetime, Schubert's music was primarily appreciated within a small circle of friends and admirers at private social gatherings known as "Schubertiads". It was only after his death from typhoid fever in 1828 that composers like Felix Mendelssohn, Robert Schumann, and Johannes Brahms championed his work, bringing his vast genius to the world. His music fundamentally influenced the future direction of Romantic music and endures as some of the most beloved classical music ever written. He was buried, at his request, near his idol, Ludwig van Beethoven.