21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Schwantner Joseph
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Looking Back for flute and piano
Looking Back for flute and piano
J. Schwantner: Looking Back for flute and piano was written in 2009 on comission by the former students of Samuel Baron, flute professor at SUNY Stony Brook and Julliard. The composition was premiered in 2009 by Alexa Still (flute) and Stephen Gosling (piano) at the NFA convention.
Schwantner Joseph
Joseph Schwantner (1943) is an American composer who initially studied classical guitar and played tuba in high school band. Then he studied composition with Bernard Dieter at the American Conservatory in Chicago. His earliest compositions were influenced by music of Bela Bartók, Claude Debussy and Olivier Messiaen as well as various forms or jazz. Later he gradually joined the faculty of the Eastman School of Music, Juilliard School and Yale. He is a recipient of numerous nominations, awards and prizes.
Among his most noteworthy compositions: Percussion Concerto (2012, Grammy Award); symphonic poem Aftertones of Infinity (1978, Pulitzer Prize in music); song cycle Magabunda for orchestra (1983) as well as many chamber music compositions for flute and other instruments.