Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Schwindel Friedrich
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Concerto for Flute, Strings and Cembalo in D Major
F. Schwindel: Concerto for Flute, Strings and Cembalo in D Major most likely was written in the late 1770s when Schwindel worked in his newly founded music school in Geneva. It was discovered only in the late 1950s and the first modern performance took place in 1959 during radio broadcast by Raymond Meylan and the Lausanne Chamber Orchestra under direction of Jean-Marie Auberson. This a Mozartean style composition is considered rather adventuresome for the period containing a contrasting section in a minor key in the first and the third movements.
Friedrich Schwindel (1737-1786) was a Dutch composer and a violin, piano, and flute virtuoso. Born in Amsterdam, Netherlands, his professional life was almost entirely spent in the German-speaking world and Switzerland. Because he was a "famous and beloved violin composer throughout Germany," historical accounts sometimes mistakenly grouped him solely with German nationals.
Most of his career, he served at the courts of Count Carl von Colloredo-Mannsfeld in Brussels and Wilhelm V in the Hague. There, in 1763, he met Leopold Mozart and the young Mozart during their European tour.
During the 1770s, he served as the first violinist to Prince William V of Orange in The Hague.
Schwindel’s formative musical years were spent in the orbit of the Mannheim Court Orchestra, then the most famous and innovative ensemble in Europe. While not a permanent member of the court, he adopted the "Mannheim rockets" (rapidly ascending scales) and the dramatic crescendos that defined the school’s sound.
In 1776, he moved to Geneva to establish a music school. However, in 1780, he accepted a concertmaster position of the Badische Hofkapelle in Karlsruhe, which became his last appointment in his career.
Schwindel was a prolific composer whose works were published in major music centers like Paris, London, and Amsterdam during his lifetime.
He wrote 34 symphonies as well as numerous chamber music works and flute concertos.