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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Sciarrino Salvatore

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Un Tibetano a Parigi" for flute solo

By Sciarrino Salvatore

Salvatore Sciarrino: "Un Tibetano a Parigi" for flute solo was written in 2018. The work is dedicated to Matteo Cesari, Sciarrino's preferred modern interpreter of his flute literature.
Specifically written for open-hole flute (flauto aperto), the piece features a performance tempo of Presto and employs signature techniques like playing "fra i denti" (between the teeth) and jet-whistles.
The title "Un Tibetano a Parigi" (A Tibetan in Paris) reflects Salvatore Sciarrino's continued exploration of metamorphosis and the intersection of diverse "sonic worlds".
In 2023, Sciarrino radically transformed and renamed the piece as "Nuvole impazzite sulla città" (Crazy clouds over the city). While the original 2018 title suggests a cultural or geographical displacement, placing a "Tibetan" (associated with vast, quiet, spiritual landscapes) in "Paris" (a dense urban center), the 2023 revision shifts the focus toward atmospheric and temporal instability.

Matteo Cesari

2021, KAIROS / Kontor New Media

Un Tibetano a Parigi

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Sciarrino Salvatore

Salvatore Sciarrino (1947) is an Italian composer, regarded as one of the most performed Italian composers of contemporary classical music. Born in Sicily, he moved to Rome to study electronic music at the Accademia di Santa Cecilia in Rome. Later he moved to Milan where he taught at the Milan Conservatory. His compositional style was greatly influenced by modernist composer Luigi Nono. Sciarrino's music is avant-garde but complemented with a frequent use of silence.  "...there's one thing without which no delight in sound makes sense, and that is the intensity of silence."
His music can be regarded as complex articulatory blocks which Sciarrino calls "figures", constantly balancing between "being" and "not-being" in terms of traditional sounds.  The concept of the mystical Void has been present throughout many of his works. Among his most noteworthy compositions: opera Amore e Psiche (1972), Un’immagine di Arpocrate (1979) for piano, choir and orchestra. During 1980s and 1990s he created numerous compositions for solo instruments and small ensembles. One of his most outstanding work: II cerchio tagliato dei suoni (1997) for four solo flutes and 100 migrant flutes.