21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Seif Sami
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Miniatures from Phoenicia
S. Seif: Miniatures from Phoenicia for solo flute was written in 2020, dedicated to Mary Kay Fink, the flutist of the Cleveland Orchestra, who premiered this piece on November 15, 2020, at the Cleveland Institute of Music. The piece has won the Flute New Music Consortium competition and was added to the NFA Repertoire Guide in 2024.
"Around 1050 BC, the Phoenicians invented the very first writing system based on phonetics. Spread by Phoenician merchants across the Mediterranean world, it evolved and was assimilated by many other cultures and became the foundation for the Roman alphabet used by Western civilization, as well as all other alphabetic writing systems currently in use.
Miniatures from Phoenicia intersects my curiosity about linguistics (specifically the branch of phonology) with my interest in the history of my ancestors, the Phoenicians, particularly their groundbreaking innovation – the phonetic alphabet – into my music. The music is partially inspired by the main phonological groups: vowels, plosives (p, t, k, etc…), and sibilances/fricatives (s, sh, f, etc…).
The music of Phoenicia has been lost. With this piece, however, I invite the audience to re-imagine what it might have sounded like. I ask the flutist to play in a number of unconventional ways – sometimes superimposing multiple extended techniques on top of each other. The language of the music is constructed with the help of small cells that form recursive patterns – mimicking the recursive nature of Semitic languages. Perhaps one might hear the spirit of ancient Phoenicia come back to life through these miniatures."
Sami Seif
Sami Seif (1998) is a Lebanese composer and music theorist.
Born to a non-musical family in Abu Dhabi and he is fluent in Arabic, French, and English. His musical journey started at the age of 12 when he self-taught to play keyboard instruments. Later, he formally studied piano, composition, audio engineering, and sound synthesis.
Seif completed his B.M., double-majoring in composition and music theory at the Cleveland Institute of Music. He studied composition with
Roger Bergs. He is currently a doctoral fellow at the CUNY Graduate Center.