This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Stamitz Anton

Beethoven, Ludwig van

Devienne, François

Gluck, Christoph Willibald

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Haydn, Franz Joseph

Hoffmeister, Franz Anton

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Concerto for flute, strings and continuo in D Major (GroF 127)

Concerto for flute, strings and continuo in D Major (GroF 127)

By Stamitz Anton

A.Stamitz: flute concerto in D Major (GroF 127) was first published in 1777 in Paris. As title page suggest  (Concerto pour une flûte principale, deux violons, alto et basse, dédié à Monsieur Bingley, amateur et auteur de la partie principale, les accompagnemens composés par Mr Ante. Stamitz) the flute part was written by amateur Mr. Bingley, leaving the rest to  Anton Stamitz.

Jean-Pierre Rampal

Scottish Chamber Orchestra, Raymond Leppard (conductor), 1983, Warner Music

1. Allegro

00:00
YouTube icon

Jean-Pierre Rampal

Scottish Chamber Orchestra, Raymond Leppard (conductor), 1983, Warner Music

2. Romance

00:00
YouTube icon

Jean-Pierre Rampal

Scottish Chamber Orchestra, Raymond Leppard (conductor), 1983, Warner Music

3. Rondeau

00:00
YouTube icon

Stamitz Anton

Anton Stamitz (1750-1809) was a German violinist and composer, the younger brother of another composer Karl Stamitz. They both received musical education from their father Johann Stamitz who was prominent Mannheim composer. Mannheim orchestra in the middle of 18th century was considered one of the best in Europe, with close cultural ties with Paris. Both brothers later went to Paris where Anton taught, composed and performed mostly in Versailles till 1789 when he was committed to an asylum. A.Stamitz wrote about 30 concertos. Even the most of them were firmly rooted in Baroque, they gradually evolved in sonata-allegro concertos of the Classic period.